Olufęlá Şowándé was born in Ợyó,
where his father, Emmanuel, of Ègbá origin, was an Anglican minister on the
faculty of St. Andrews College.  Music
study was a requirement here of all students for the priesthood.  Şowándé thus was surrounded by music from his
earliest years.  When his father, his
first music teacher, was transferred to Lagos, Şowándé began his 20-year
association, as requested by his father, with Thomas King Ẹkúndayợ Phillips
(who had been the first Nigerian to study music in London), originally as a
choir boy at Christ Church Cathedral and then as his student.  Like Phillips before him, he was enrolled at
the Church Missionary Society Grammar School and later at Kings College, but he
used every opportunity to attend the organ recitals of Phillips, thus becoming
introduced to European music and particularly the organ works of Bach, Handel,
and Rheinberger, as well as Coleridge-Taylor’s
Hiawatha’s wedding feast.  On his graduation from Kings College, he was
an accomplished pianist and was engaged as deputy organist under Phillips at
the cathedral.  Simultaneously, he taught
in a mission school and worked as a civil servant for three years.

He first met jazz in the company of fellow Nigerians in 1932, listening
to Duke Ellington on short-wave radio.
Added to this were broadcasts from France, the BBC, and from New York
and Chicago, and recordings by Art Tatum, Teddy Wilson, and Earl Hines.  This led to his organization of the Triumph
Dance Club Orchestra, in which he played piano.
He also was a member of the jazz band, The Chocolate Dandies, that had
been organized about 1927 in Lagos.

In 1935, he moved to London with the intent of studying civil
engineering, but he arrived already experienced from his days in Lagos as a
jazz musician.  African Americans were
delighted by his ability to imitate the piano styles of jazz figures.  By music, he was able to pay for his
education.  He organized a jazz septet,
consisting largely of musicians from the Caribbean, and he was assumed to be a
Black American.  He abandoned his plans
for civil engineering and dedicated himself to music, attending the University
of London and Trinity College of Music as an external candidate.  His work in Lagos with Philips provided him
with a European musical perspective, and he intensified that by studying with
George D. Cunningham, George Oldroyd, and Edmund Rubbra.  However he was influenced by these contacts,
it was in 1935 that he began coping with nationalistic impulses, which were articulated
in his articles from 1965, “The development of a national tradition of music”
and “Language in African music.”  In
essence he felt music had the obligation to communicate with his fellow
citizens and this could be accomplished by reference to a Nigerian musical
language.  He used the term “Ideation” to
refer to an individual’s ability to respond to an existing musical
thought.  This process of making
traditional music classical has been often observed.  Nonetheless, the composition of a symphony to
commemorate Nigeria’s freedom from colonialism in 1960 provoked substantial
controversy, in large measure because, there not then being an orchestra in
Nigeria that could play the work, he took it to the U.S. for performance.  Alternatives were offered that he have it
performed by a dance orchestra or by a police or army band.

He had not
neglected his interest in jazz or his curiosity about African American
culture.  He took lessons in jazz piano
with Jerry Moore and began performing, not just on piano, but on the Hammond
organ, and he made friends with such visitors as Paul Robeson, Fats Waller, the
Nicholas Brothers, Peg-Leg Bates, Valaida Snow, and Tim Moore (later to play
the role of Kingfish on the Amos and Andy radio broadcasts).  He performed with J. Rosamond Johnson, choral
conductor of Lew Leslie’s Black birds of 1936 (in which Şowándé
performed Gershwin’s Rhapsody in blue), and it was Johnson who
introduced him to the music of R. Nathaniel Dett.  He joined Adelaide Hall as her cabaret
pianist and recorded with her in the last years of the 1930s.  In 1940 he began a series of radio
broadcasts, West African music and the possibilities of its development,
which he exemplified with his own works.
Recordings of these broadcasts were aired in Nigeria in the 1960s.

He joined the Royal Air Force
during the war, but was released on the request of the Ministry of Information
so that he could serve as music director for the colonial film unit.  This resulted in his writing music for films
that were directed to African audiences.
Composed at this time was his personal “signature” tune, based on a
sacred melody (Ợbáńgíjì) composed by Rev. Joshua Jesse Ransome-Kuti that
served its needs and those of the BBC’s African programs from 1943 to the
1960s.

It was in 1943
that he earned the Fellowship diploma of the Royal College of Organists, as
well as the Limas Prize for music theory, the Harding Prize for his organ
playing, and the Read Prize for the overall excellence of his examinations,
along with his B.M. degree from the University of London.  He was appointed organist and choir director
of the West London Mission of the Methodist Church in 1945 (Kingsway Hall),
which stimulated the creation of new works for organ. His Sunday recitals
became very popular.  It was under these
circumstances that J. H. Kwabena Nketia, then a student at the School of
Oriental and African Studies, first heard him.
They encountered each other again in 1966, when Şowándé was exploring
new theories in ethnomusicology at Northwestern University, some of which he
found controversial.

In
1953 he returned to Nigeria to head the Music Section of the Nigerian
Broadcasting System, a position that provided little time for his work as
composer.  In this post he produced
weekly radio programs based on field research of Yorùbá folklore, mythology,
and oral history, presented by tribal priests.
He was also named honorary organist at the Cathedral Church.

From 1962 until
1965 he was senior research fellow at the University of Ibadan, then becoming
musicology professor at the university’s Institute of African Studies.  A government grant in 1966 resulted in a
series of studies on Nigerian music.
Funding from the United States Department Leaders and Specialists Grant
provided him with the opportunity in 1957 to present organ recitals in New
York, Boston, and Chicago, and to lecture on his research.  The offerings in New York were sponsored by
the Rockefeller Foundation.  He was a
visiting scholar for the 1961 school year at Northwestern University’s
anthropology department.  His writings
during this period were unpublished for the most part, because his metaphysical
orientation ran counter to prevailing philosophies in music.  At Princeton University, he supplemented his
study of composition by working with Roger Sessions.

A grant from the
Ford Foundation (1962-1965) permitted him to conduct additional research at the
University of Ibadan on Yorùbá religion.

He was professor
of ethnomusicology at the University of Ibadan’s Institute of African Studies
from 1965 to 1968, leaving that position to join the faculty of Howard
University, where he remained to 1972.
From 1968 to 1971 he produced a series of recordings on various aspects
of Nigerian history, language, literature, and music that was distributed by
the Broadcasting Foundation of America, 48 of which were deposited with the
foundation’s New York archives.  Other
materials are held within the Dartmouth College Library.

He
became professor of Black studies at the University of Pittsburgh in 1972,
later joining the faculty of the School of Education.  He was affectionately known here as “Papa
Sowande.”

His last position
was in the Department of Pan-African Studies at Kent State University, which he
held from 1976 until his retirement in 1982, accompanied by Eleanor, his
wife.  His final days were spent in a
nursing home in Ravenna, where he died of a stroke.  A memorial service was held at St. James
Episcopal Church in New York on 3 May 1987, at which time Eugene Hancock
complied with Şowándé ’s 1965 request by performing his Bury me eas’ or wes’.  Şowándé had received a permanent American
visa in 1972 and had become a citizen in 1977.

He had been guest
conductor of the BBC Northern Symphony Orchestra, and in 1964 conducted the New
York Philharmonic in his Folk symphony.

Ayo
Bánkợle was one of his students.

As
possibly the first African, he was named a Fellow of the Royal College of
Organists in 1943.  In honor of his 70^th
birthday, New York’s St. Philip’s Episcopal Church dedicated its 20^th
Annual Festival of Sacred Music to him.
He was granted an M.B.E. and D.M. degrees in honoris causa.   Queen Elizabeth II named him a Member of the
British Empire in 1956, the same year he became a Member of the Federal
Republic of Nigeria.  The music
department at the University of Nigeria-Nsukka, was renamed the Sowande School
of Music in his honor (1962).  In 1968 he
was given the Traditional Chieftaincy Award, named the Bagbile of
Lagos.  He was given an honorary
doctorate by the University of Ife in 1972.
The Fęlá Şowándé Memorial Lecture and Concert Series was initiated in
1996 by Monsunmợla Omíbíyì at the University of Ibadan’s Institute of African
Studies, with the keynote address delivered by J. H. Kwabena Nketia.

WORKS[1]

LP: Marian Anderson,
contralto.  LM-110.

LP: William Warfield,
baritone.  Columbia AAL-32..

LP: Camilla Williams,
soprano.  MGM E-156.

A garden for my love, for voice
& piano.

A song of joy, for piano.

A Yorùbá lullaby, for piano.  Première [?]: BBC broadcast.

2 African dances, for
orchestra.  London: ?.*

6 African melodies for Western instruments.

African suite, for string orchestra
& harp (by 1939).[2]  London: Chappell,
1950.*  1. Joyful day [based on a melody of Ephraim Amu]; 2. Nostalgia [based on a melody of
Ephraim Amu]; 3. Lullaby; 4. Onipe; 5.
Akinla[3].  Songs of
Amu:  published in London by Sheldon
Press in 1933, which is the source of the Amu tunes used here.

LP: Decca
(1951 or 1952?).

LP:
Harvey, conductor:  London LS-426.

— for saxophone & orchestra.

CD: Vancouver Orchestra;
Mario Bernardi, conductor.  CBC CMCD
5135.

—- 1. Joyful day, allegro giocoso.*

CD: Chicago Sinfonietta;
Paul Freeman, conductor.  Cedille CDR
90000 055 (2000, African heritage
symphonic series, vol. 1).  Liner
notes: Dominique-René de Lerma.

CD: Vancouver Orchestra;
Mario Bernardi, conductor.  CBC Records
SMCD 5135, 1994.

LP: London Symphony
Orchestra; Paul Freeman, conductor.  CBS
Special Products P9-19424 (Black
composers series).  Liner notes:
Dominique-René de Lerma.

LP: London Symphony
Orchestra; Paul Freeman, conductor.
Columbia M-33433 (1975, Black
composers series).  Liner notes:
Dominique-René de Lerma.

—- 2. Nostalgia, andante.*

CD: Chicago Sinfonietta;
Paul Freeman, conductor.  Cedille CDR
90000 055 (2000, African heritage
symphonic series, vol. 1).  Liner
notes: Dominique-René de Lerma.

LP:  London Symphony Orchestra; Paul Freeman,
conductor.  CBS Special Products P9-19424
(Black composers series).  Liner notes: Dominique-René de Lerma.

LP:  London Symphony Orchestra; Paul Freeman,
conductor.  Columbia M-33433 (Black composers series, 1975).  Liner notes: Dominique-René de Lerma.

—- 4. Onipe.*

—- 5. Akinla, allegro non troppo.*

CD: Chicago Sinfonietta;
Paul Freeman, conductor.  Cedille CDR
90000 055 (2000, African heritage
symphonic series, vol. 1).  Liner
notes: Dominique-René de Lerma.

LP: London Symphony
Orchestra; Paul Freeman, conductor.  CBS
Special Products P9-19424 (Black
composers series).   Liner notes:
Dominique-René de Lerma.

LP:  London Symphony Orchestra; Paul Freeman,
conductor.  Columbia M-33433 (1975, Black composers series).  Liner notes: Dominique-René de Lerma.

African vespers, for orchestra.

Africana, for orchestra (1944).[4]  Première: 1944, London; BBC Symphony
Orchestra, Fęlá Şowándé, conductor

78rpm:
BBC Symphony Orchestra; Fęlá Şowándé, conductor.

Alone with thought, for voice,\ & orchestra.

All I do.*

An African folk dance tune, for orchestra.

An evening procession on the coast, for orchestra.

Ankuri.*

Art songs, for tenor & string quartet.

At evening, for string orchestra.  London: Bosworth’s.*

At the factory.*

Because of you, for voice & piano.   London: Chappell.*

By the waters of Babylon, for SATB.

Children at play, for orchestra.

Chorale prelude on Yorùbá sacred melodies, for
organ.  London, Novello.

Come now, Nigeria.
Ibadan: Nigerian Book Suppliers, 1968.

Come out and dance, for soprano & piano.  Text: E. Fielding Kirk.  Based on a Yorùbá folksong.

—–
for SSA, percussion & piano.  London:
Francis, Day, and Hunter, 1957.

Comfort, for SATB.

Curse of the demon cues.*

Enia yeper, for voice & piano.

Fantasy, organ, D major.  London: Chappell.

Festival march, for organ.
London: Chappell.*

Gloria, for organ.  New York: G. Ricordi, 1958.  Based on Ògo ni fún o Ol

Go down Moses, for organ.  London: Chappell, 1955.*

CD: Nancy Cooper,
organ (Richard L. Bond Op. 27, Holy Spirit Episcopal Church, Missoula MT).  Pro Organo CD 7139 (c2000).

Goin’ to set down.  New York: Franco Columbo.*  Duration: 3:49.

LP:
Charmain S. Hill, soprano; Virginia Union University Concert Choir; Odell
Hobbs, conductor.  Eastern ERS-571.

Heav’n bells are ringin’, for SATB [?].

      78rpm
[?]: Century 39764.

High life.*

Irínwó owó o, for SSA.

Ise olúwa, for orchestra.

Joshua fit de battle ob Jericho, for organ.  London: Chappell, 1955.

CD: Lucius Weathersby, organ (Great
Torrington Parish Church, Father Willis organ; 2003/IX/27).  International Society – African to American
Music (2003).

Josiah, for SATB.

Jubilate, for organ.

K’a mó rókósó, for organ.   New York: Ricordi, 1966.  Dedication: Eugene Hancock.

Koronga, for orchestra.  London: Bosworth’s.*

Kyrie; Oyrie, for organ.
London: Chappell, 1955.*

Laudamus te, for organ.

Leisure hour fragment, for voice &
piano.

Let thy merciful ear, O Lord, for SATB.

Maypole dance.*

Mopa, for orchestra.

Mountain scene.*

My heart and I, for voice & piano.

My way’s cloudy, for SATB & piano.

Nigerian folk symphony (1959). [5]*  Commission: Nigerian
government to commemorate Nigerian independence.  Première: 1964.  Première: 1960; Bournemouth Symphony
Orchestra; Charles Groves, conductor.[6]

AT: Bournemouth Symphony Orchestra;
Charles Groves, conductor (1960).

Nigerian themes, for organ.

Nobody
knows the trouble I’ve seen, for
SSAATTBB, by Harry Burleigh, arr. by Fęlá Şowándé.   New York: Franco Colombo (#1896).*

Òbáńgíjì, for piano.
=.  For organ?  London: Chappell, 1955.*

Oh render thanks, for SATB & organ.

Oh motherland , for orchestra (1960).  Commission: Nigerian government to
commemorate Nigerian independence.

—–
for SATB, brass ensemble, percussion & organ.  Commissioned by Nigeria’s Federal Ministry of
Information.  The national anthem of
Nigeria.

Oro soro, for soprano & SATB.

Out of Zion, for SATB & organ.

Oyígìyiìi; Introduction, theme and variations on a Yorùbá folk theme, for organ.  New York: G.
Ricordi, 1958.  19p.

Pastorale.*

Pastourelle, for organ.  London: Chappell, 1952.*

CD: Lucius Weathersby, organ (Great
Torrington Parish Church, Father Willis organ; 2003/IX/27).  International Society – African to American
Music (2003).

Pembe.*

Plainsong, for organ.
London: Chappell.*

Playtime.*

Portrait.*

Prayer; Oba a ba ke, for organ.  New York: Ricordi, 1958.*

2 Preludes on Yorùbá sacred melodies, for organ.  London:
Chappell, 1945.

—– 1. K’a múra.

—– 2. Jésù olugbàlà.

Reflection, for string orchestra.

Return of spring, for orchestra.*

Romantic lady.*

Sacred idioms of the Negro, for organ.  1. Bury me eas’ or wes’; 2.
Laudamus te; 3. Vesper; 4. Supplication; 5. Via dolorosa;  Jubilate.

4 Sketches, for orchestra.  1. In an African village; 2. The
new environment; 3. Echoes of the past; 4. The ceremonial.

Snow-capped Kilimanjaro, for orchestra.

3 Songs of contemplation, for tenor &
string orchestra.  1. To a princess; 2. Loneliness; 3. Night in the desert.

St. Jude’s response, for SATB & organ.

Stan’
still, Jordan, for SATBB, by
Harry Burleigh, arr. by Fęlá Şowándé.  New York: Franco Colombo (#FCC 1893).

Steal
away.*

Sunset.*

Swing
low, sweet chariot, for piano.

The emblem.*

The gramercy of sleep, for TTBB.  New York: G. Ricordi.

The Lord is risen, for SATB with optional percussion.

The Negro in sacred idiom, for organ. [7]   London: Chappell, 1955.  1.
Joshua fit de battle of Jericho; 2. Kyrie; 3. Yorùbá lament; 4. Obángíji.

LP: Fęlá
Şowándé,
organ.  London LL-533 (1952).

—– 1. Joshua fit de battle of Jericho.*

CD: Hans Uwe Hielscher, organ (1863-1982 Walker/Saur/Oberlinger
4-116, Wiesbaden, Merktkirche). EL CD-016 (Spiritual
and gospel songs).

—– 3. Yorùbá lament.*  Duration: 7:53.

CD:
Lucius Weathersby, organ (Father Willis, 1864; St. Michael and All Angels
Church, Great Torrington, UK).  Albany
440 (Spiritual fantasy).

—– 4. Obangiji.*  Duration: 3:48.

CD: David
Hurd, organ (1961 Holtkamp, Fisk University, Nashville).

—- for woodwind
quintet.  Richmond VA: International Opus
(WW5-9858).

The spinning song,
for string orchestra.

The wedding day, for SSA,
percussion & piano.

To a pupil, for
tenor & string orchestra.

To arms.*

To daffodils, for voice & piano.

To the colors.*

Uwa.

Valse galante, for orchestra.  London: Bosworth’s.

Via dolorosa, for organ.

Wedding song, for SS (1957).
Text: E. Fielding Kirk.  Based on
a Yorùbá folksong, Tún mi gbé.

Words, for TTBB.
New York: Ricordi.

3 Yorùbá songs, for piano.  1.
Oyígíyigì; Exercise in thirds; 2. A Yorùbá lullaby [based on Taní bá mi lợm ọ wí]; 3. Ènìyàn yępęrę ló nma jé.

—–3. Ènìyàn yepere ló nma jé, for voice & piano (1954).

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“Conversation with Fela Sowande, high priest of music” in Black perspective in music, v4n1
(1976/spring) p90-104.

—–.  “Fela Sowande obituary” in Black
perspective in music, v15n2 (1987/fall) p227-228.

—–.  “Sowande, Fela” in Biographical dictionary of Afro-American and
African musicians.  Westport:
Greenwood Press, 1982, p354-355.  (The Greenwood encyclopedia of Black music).

Şowándé,  Fęlá.  “A West African school of music” in West
African review, v25n196 (1944/I) p22-23.

—–.  “African music and
Nigerian schools” in Ibadan, v16 (1963) p13-15.

—–.  “African music” in Africa,
v14n6 (1944/IV) p340-342.  Reprinted in Empire,
v39 (1948) p165-167.

—-.  “Language in African
music” in Music in Nigeria, v1n2 (1965) p4-36.

—–.  “Le role de la musique
dans la société africaine traditionelle” in La musique africaine, réunion de
Yaoundé (Cameroun) 23-27 janvier 1970, organisée par l’UNESCO, ed.
by Richard Masse.  Paris: Revue Musicale,
1972, p57-68.

—–.  “Nigerian music and
musicians, then and now” in Composer [London], v19 (1966/spring)
p25-34.  Reprinted in Nigerian
magazine, n94 (1967/IX) p253-261.

—–.  “The African musician
in Nigeria” in The world of music, v9n3 (1967) p27-36.

—–.  “Tone languages of
Nigeria” in Listen, v1 (1964/III-IV) p12.

—–.  Ifa.  Ibadan: Forward Press, 1964.  74p.

—–.  Nationalism and
essays on relevant subjects.  Ibadan:
Daily Sketch, 1968.

—–.  Orúko àmútợrunwá; Láti ọwợ Fęlá Şowándé  àti Fágbèmi Ájànàkú.  Ibadan: Oxford University Press, 1969.  v, 72p.

—–.  Six papers on
aspects of Nigerian music.  New York:
Fęlá Şowándé, 1967.

—–.  The Africanization
of Black studies.  Kent: Kent State
University, Institute for African American Affairs, 1975.

—–.  The mind of a
nation; The Yorùbá child.  Ibadan:
University of Ibadan, 1966.

Spradling, Mary Mace.  In black and white; Afro-Americans in print.  3^rd ed.  Detroit: Gale Research, 1980.

Symphonium v3n1.

Úzòígwè, Joshua.  “Tonality
versus atonality; The case for an African identity” in African art music in
Nigeria, ed, by Mosúnmợlá A Omíbíyì-Obidike.  Ibadan: Stirling Horden, 2001, p161-174.

Vann, Kimberly R.  Black
music in Ebony; An annotated guide to the articles on music in Ebony
magazine, 1945-1985.  Chicago: Center
for Black Music Research, Columbia College. 1990 (CBMR Monographs, no. 2),
p41.

Vidal, Túnji.  “Fęlá Şowándé;
A nationalist and humanistic composer” in African art music in Nigeria,
ed. by Mosúnmợlá A Omíbíyì-Obidike.
Ibadan: Stirling Horden, 2001, p93-100.

ELECTRONIC
RESOURCES

“Chief Fela Sowande’s philosophy and opinions” http://hierographics.org/felasowandephilosophyandopinions.html

“Nketia, J. H. Kwaben” http://people.africadatabase.org/cgi-bin/sl”words=nketia&Submit=Submit&config=ppl.  (2003).
3p.  Consulted 2003/X/24.

ASCAP; ACE title search.  http://www.ascap.com/ace/search.cfm?requesttimeout=300&mode=results&searchstr=87
… (2003).  2p.  Consulted 2003/XI/25.

Bauer, Kerstin. “Das Musikarchiv des Iwalewa-Hauses” http://www.uni-bayreuth.de/Afriknologie/iwalewa/musikarchiv.htm

International Opus.  “Woodwind
quintet music by African and African-American composers” http://internationalopus.com/woodwindquintetafrican.html

Okoli, Tunde.  “Colours of
African music across cultures”
wysiwyg://74/http://www.thisfayonl…hive/20021014art01.html  3p.
Consulted 2003/VI/02.

Şowándé, Tunji.  “African
churches; Nigeria” http://www.bbc.co.uk/worldservice/africa/features/storyafrica/8chapter7.shtml

Zick, William J.  “Composers
of African descent; Music in the Western classical tradition by African,
African Americans, and African Europeans” http://chevalierdesaintgeorges.homestead.com/Othersñs4.html  27p.
(2003). Consulted 2003/IX/23.

4 African dances, op. 58, for violin & piano (1902).  London: Augener, 1904, 1917 (published
separately, bowing & fingering by William Henley).  (11342;
12837).  Dedication: Goldie
Baker.  1. Allegro, G minor. 2. Andantino
molto sostenuto e dolce, F; 3. Allegro con brio, A. 4. Allegro energico, D
minor.  Première: ca. 1902; Rochester Choral Society;
Goldie Baker, violin; Samuel Coleridge-Taylor, piano.  Library: British Library (2 editions with
same imprint, as well as edition with Henley bowing and fingering); Library of
Congress; Spingarn. —– London: Augener, 1908.  23, 7p.
(Augener’s edition, 11342)
Library: Library of Congress.  —-
for orchestra, arr. by L. Artok as Afrikanische
Suite, Negro Suite.  Mainz: B.
Schott’s Söhne, 1928.  parts.  (Domesticum
Salon-Orchester, No. 270, 271)
Library: British Library. —– Peggy Cochrane, violin; with piano. 78rpm:
ACO G-15662. —- for piano, ed. by Alex Roloff.  London: Augener, 1904, 1917 (published as the
first of 2 African idylls).  5p. (#W15074)  Library: British Library; Library of
Congress.  —– Arthur Beckwith, violin;
with piano.      78rpm: His Masters Voice
C-974.—- for piano, ed. by Alex Roloff.
London: Augener, 1904, 1917 (published as the second of 2 African idylls).  11p. (#W15074).  Library: British Library; Library of
Congress. —– London: Augener, 1911.
11p. (#15076).  Library: Library of Congress, Peabody.

7 African romances, op. 17, for medium voice & piano (1897).  London: Augener, 1897.  21p. (Augener’s
edition 8817; #11114).  1. An
African love song; 2. A prayer; 3. A starry night; 4. Dawn. 5. Ballad; 6. Over
the hills; 7. How shall I woo thee?  Text:
Paul Laurence Dunbar.  Dedication: Helen
Jaxon.  Library: British Library; Library
of Congress; Spingarn; Yale. —– 4. Alma Gluck, soprano.  78rpm: His Masters Voice -3392.  LP:
Rococo 5291. —– 6. London: Augener, 1902.  Library: British Library. —— 6. for
medium voice & orchestra.  London:
Augener, 1897.  3p.  Library: Library of Congress. —- 6. for
medium voice & piano. —– 7. London: Augener, 1902.  4p.
Library: British Library; Library of Congress. 7. —- for low voice
& orchestra.  London: Augener,
1897.  Library: British Library. —- 7.  for medium voice & orchestra.  London: Augener, 1902.  Library: British Library.

African suite, op. 35, for piano (1898).  London: Augener, 1902, 1898.  31p. in 4 vols. (Augener’s edition 6103;
11368, #11287).  1. Introduction; Allegro alla Marcia; 2. A Negro love song;
Larghetto;   3. Valse; Allegro con brio; 4.
Danse nègre; Allegro assai (based on the poem of the same name by Paul
Laurence Dunbar).  Première: ca. 1898; Croyden Conservatoire.  Duration: 20m.  Library: British Library; Lucks (5300); Schomburg; Spingarn; Yale.  —– 2. London: Augener, 1901.  —- 2. for piano.  London: Augener.

—-
2. for violin & piano.  London:
Augener, 1908.  9, 3p. (Augener’s edition, 7359b).  Library: British Library (1898 imprint, and
1908 imprint with bowing and fingering by W. Henley). —- 2. for violin &
piano.  London: Augener, 1898.  9p. (Augener’s
edition, 6100d; 7359b; #11395).
Includes Danse nègre. —– 4. London: Augener, 1898.  (Augener’s
edition, 6100a [score]; 6100b [parts]; #L.M.L.)  Instrumentation:
2222 p; 4231; timp perc; strings.
Duration: 5m30s.  Library:
Fleisher (3540), Lerma, Library of
Congress; Luck’s (05382), Schomburg, Spingarn. —– London: Augener,
1901.  9p. (Augener’s edition, 6100c;
#11368).  Library: British Library;
Spingarn. —– 4. London Symphony Orchestra; Paul Freeman, conductor.  LP:
Columbia M-32782 (1974).  Library:
CBMR (Lerma). —– Buffalo Philharmonic Orchestra; Julius Rudel, conductor
(1981). —– AT:   Library: Lerma. —– 1976; Indianapolis
Symphony Orchestra members; Everett Lee, conductor (1976). —– 4. for
piano.  London: Augener, 1901.  9p. (Augener’s
edtion 6100; #11368).  Library: Spingarn. —- 4. for string quartet
& piano [original version]. —- 4. for violin & piano.  London: Augener, 1898.  9p. (Augener’s
edition, 6100d; 7359b; #11395).        Includes
A Negro love song.  Library: British Library (also 1908 imprint
with bowing and fingering by W. Henley); Schomburg.

Ah sweet, thou little knowest, for high voice & piano (1904).  London: Ricordi, 1904.  6p. (10952).  Text: Thomas Hood.  Library: Library of Congress, Schomburg,
Spingarn.

Ah tell me, gentle zephyr, for medium voice & piano.

Album, organ.
London: Augener.  2 vols. (Album series, 108a/b).

Album of melodies, for piano, arr. by Alex Roloff.  London: Augener, 1896 to 1915.  25p.  (Album series, no. 28; 14908, 14834) [Partially made after the composer's death
from larger piano works and transcriptions of vocal and choral music.]  Library: British Library; Library of Congress
[as Melodies for piano], Schomburg,
Spingarn. —– London: Augener, 1938.
Library: British Library, as Piano
album, 8 Favorite pieces. —– 1. Idyll.  Library: Spingarn; 2. From the east; Oasis,
from We strew these opiate flowers.  Library: Spingarn; 3. Serenade.            4. Cameo.  A simplification of op. 56, no. 3 (Cameos).
Library: Library of Congress; Spingarn; 5. Minguillo.  See also: Southern love songs,. op. 12, no. 3  6. Zarifa.  See also: 2
Moorish tone pictures, op. 19;7. In
the sierras.  Library: Spingarn.  See also: Part
songs, op. 67; —-7. for organ.
London: Augener; 8. Reflection.

All are sleeping, weary heart, for TTBB with piano reduction.  London: J. Curwen, 1910.  3p. (Apollo
club, 460)  Text: Henry Wadsworth Longfellow.  Library: British Library; Library of
Congress.

All
my stars forsake me, for
SATB.  London:Augener, 1905.  8p. (Augener’s
edition, 4658)  Text: Alice Meynell.  Library: British Library; Library of
Congress.

Allegretto
grazioso, violin & piano.  London: Novello, 1896.  15p. & pt.  (#10264)  [Based on the third movement of the symphony,
opus 88, by Antonín Dvořák]  Library:
Library of Congress.

6 American lyrics, op. 45, for low voice & piano (1901).  London: Novello, 1903.  [Each title also avaliable for voice &
orchestra]  Library: British Library;
Spingarn.

1.
O thou, mine other stronger part.  London: Novello, 1903.  5p. (#11557).  Text: Ella Wheeler Wilcox.  Library: Library of Congress; 2. O
praise me not.  London: Novello:
1903.  5p. (#11558).  Text: Ella Wheeler
Wilcox.  Library: Library of Congress; 3.
Her love.  London: Novello, 1903.  9p. (#11559).  Text: Ella Wheeler Wilcox.  Library:       Library
of Congress; Yale; 4. The dark eye has
left us.  London: Novello, 1903.  6p. (#11560).  Text: John Greenleaf Whittier.  Library: Library of Congress; Spingarn; 5. O ship that sailest slowly on.  London: Novello, 1903.  5p. (#11561).
Text: Ella Wheeler         Wilcox.  Library: British Library; Library of Congress;
6. Beat, beat, drums.  London: Novello, 1903.  7p. (#11562).  Text: Walt Whitman.  Library: Library of Congress. —- for low
voice & orchestra.  London: Novello.

Arietta, organ, F major (1898).
London: Novello, 1898.  (The village organist, v16).

The arrow and the song, for medium voice & piano.  Text: Henry Wadsorth Longfellow.

As
the moon’s soft splendour.  à       6 Songs, op. 37.

The atonement, op. 53, sacred cantata, for soprano, contralto, tenor, baritone,
SATB & orchestra (1903).  London:
Novello, 1903.  190p. in 4 vols.  (Novello’s
separate chorus parts, #11726)  Text: Alice Parsons.  1. Prelude; 2. Gethsemane; 3. Prayer of the
holy women and Apostles; 4. Pontius Pilate; 5. Calvary.  Première: 1903/IX[XII?]/9; Hereford Three
Choirs Musical Festival; Emma Albani, soprano; Emily Squire, contralto; Kirkby
Lunn, tenor; Andrew Black, baritone; William Green.  Library: British Library; Schomburg;
Spingarn; Yale.—- (1904 revision).
London: Novello, 1904.  Library:
British Library (string parts); Library of Congress (choral parts, 11726;
string parts, 11723).   —- piano-vocal
score.  London: Novello, 1903.  190p.

Ballade, orchestra, op. 33, A minor (1898).
London: Novello, 1899.  63p.  Instrumentation: 3222; 4231; timp cym;
strings.  Commission: Three Choirs
Festival.  Dedication: August J.
Jaeger.  Première: 1898/09/14; Three
Choirs Festival, Gloucester; Samuel Coleridge-Taylor, conductor.  Duration: 12m.  Library: British Library (also string parts
with 1898 imprint); Fleisher; Library of Congress (parts, with 1898 imprint);
Luck’s (932); Schomburg.

—–
Royal Liverpool Philharmonic Orchestra; Grant Llewellyn, conductor. CD:  Argo 436 401-2.  —- for piano.  London: Novello, 1898.  20p. (#10675).  Library: British Library; Library of
Congress; Spingarn.

Ballade, violin & orchestra, op. 4, D
minor (1895).  London: Novello, 1895.  Dedication: Ruth Howell.  Première (U.S.A.): 1903/II/13; Chicago
Symphony Orchestra; Frederick Stock, conductor.
Library: British Library (string parts with 1901 imprint). —- for
violin & piano.  London: Novello,
Ewer, 1895.  16p.  Library: British Library; Library of
Congress.

London:
Schott. —– Michael Ludwig, violin; Virginia Eskin, piano. CD: Koch 3-7056
2H1.

Ballade, violin & piano, op. 73, C
minor (1907).  London: Augener, 1909. (#11343).  1. Molto moderato; 2.
Allegro; 3. Più andante e tranquillo; 4. Allegro vivace; 5. L’istesso
tempo.  Editor: Zacharewitsch.  Première: 1907/10/29; Leeds; Zacharewitsch,
violin; Samuel Coleridge-Taylor, piano.
Library: British Library; Luck’s (9132).
—–       A. Saltmarsh, violin; Avril
Coleridge-Taylor, piano.  AT: 1363.  Library: National Sound Archive, London

Barcarolle, for piano.
London: Schott, 1915.

Beauty and truth, for SA & piano (1911).  London: J. Curwen, 1912.  Text: Sonnet
54, by William Shakespeare. See also Othello.

Benedictus, op. 18, F major, for SATB & organ.  London: Novello, 1899.  11p. (Novello’s
choir book, 417)  Library: British
Library; Library of Congress.

A birthday, for high voice & piano (1909).  London: Metzler, 1909.  Text: Christina Rossetti.  Library: Schomburg, Spingarn. —- for high
voice & orchestra.  London:
Metzler.  Library: Spingarn.

The blind girl of Castél-Cuillé,
op. 43; Cantata, for solo soprano & baritone, SATB
& orchestra (1901).  London: Novello,
1901.  Text: The Gascon of Jasmin, translated by Henry Wadsworth
Longfellow.  Dedication: F. Nicholas
Kilburn.  Première: 1901/X/9; Leeds
Musical Festival; Emma Albani, soprano; Andrew Black, baritone; Samuel
Coleridge-Taylor, conductor.  Library:
British Library (50764); Fleischer (1947); Library of Congress (also string
parts, with 1902 imprint); Luck’s (5299);
Schomburg.  —- rev. version.  London: Novello, 1902.  Library: British Library.  —- rev. version, string parts.  London: Novello, 1902.  Library: British Library; Yale.  —- in tonic sol-fa notation by W. G.
MacNaught.  London: Novello, 1902.  Library: British Library. —- piano-vocal
score.  London: Novello, 1901.  118p. (Novello’s
original octavo edition, 11229) “Rev. edition”  Library: Library of Congress (2-16746); Yale.

Bon-bon suite, op. 68, Cantata, for baritone, SATB & orchestra
(1908).  London: Novello, 1908.  Text: Thomas Moore.  1. The magic mirror; 2. The fairy boat; 3. To
Rosa; 4. Love and Hymen; 5. The watchman; 6. Say, what shall we dance?  Dedication: Doris Sunshine.  Première: 1909/I/14; Brighton Musical
Festival; Henry Julien, baritone; Samuel Coleridge-Taylor, conductor.  Library: British Library (also tonic sol-fa
edition, and string parts); Schomburg. —- piano-vocal score.  London: Novello, 1908.  79p.
Library: Library of Congress, Yale.

Break forth into joy, Christmas anthem, for tenor & SATB.  London: Novello, 1892. (Novello’s collection of anthems, 415).  Dedication: Herbert A. Walters.  Library: British Library.

The bridal day; I hear the flutes, for medium voice & piano.  New York: Arthur P.Schmidt, 1918.  5p. (#A.P.S. 11883)  Text: Annie Andros Hawley.  Library: Spingarn.

The broken oar, for medium voice & piano (1983).  Not extant.

By the lone seashore, for SATB (1901).  London: Novello, 1910.  Text: Charles Mackay.  Duration: 3m10s.  Library: British Library (1901 imprints for Novello’s tonic sol-fa series, 1230, and for issue within The musical times, 699).

By the waters of Babylon, for soprano, contralto, tenor, bass, SATB
& organ.  London: Novello: 1899.  8p.  (Novello’s anthems, 644; #28.0644.04; also in Novello’s
tonic sol-fa series, 1216)  Text: Psalm 137===or 138.  Library:
British Library; Library of Congress.

3 Cameos, op. 56, for piano (1904).  London: Augener, 1904.  17p. (Augener’s
edition, 6099; #12705).
Library: British Library; Peabody; Schomburg; Spingarn.  See also Papillons.

1.
Allegro ma non troppo, in F; 2. Allegro moderato, in D.  London: Augener, 1916.  Library: British Library.3. Andante, in G.  See also: Album
of melodies.           —- for
chamber orchestra. —- for orchestra, arr. by H.E. Geehl.  London: Augener, 1913.  Library: British Library.

Candle lightin’ time, for high voice & piano (1901).  Cincinnati: John Church, 1911.  7p. (#30520-6).  Text (both English and dialect): Paul
Laurence Dunbar.  Library: British
Library; Schomburg; Yale. —- for low voice & piano.  Cincinnati: John Church, 1911.  7p.
(#16499);       Philadelphia:
Theodore Presser, 1930, 1911.
(#16499)  Library: Peabody;
Schomburg; Spingarn.

Cavatina, for piano.
London: Schott, 1915.  Library:
British Library (as Cavatina and
barcarolle).

4 Characteristic waltzes, op. 22, for orchestra (1898).  London: Novello, 1899, 1903; Willis Music,
1910.  51p. (#10560).  Instrumentation:
3222; 4231; timp perc; strings.
Première: 1898/XII/16; Croydon; Public Hall.  Duration: 13m.  Library: Fleisher (1274); Library of Congress
(includes parts); Luck’s (9133); Schomburg (1903 imprint). —– Cincinnati:
Willis; London: Chappell, 1963 as Popular
salon waltzes.  32p.  Library: British Library.

—–
New Light Symphony Orchestra; Ainslie Murray, conductotr.  78rpm:
RCA Victor 27225/6. 78rpm:  RCA
Victor B.8378/9.   78rpm:  His Masters Voice B-8378/9. CD:  Pearl 9965.
—- for band, arr. by Dan Godfrey. —- for chamber orchestra.  London: Novello.  Instrumentation: 1121; 2200; timp;
strings.  Library: Fleisher.  —- for piano & string quartet. —- for
violin & piano.  London: Novello,
Ewer, 1903, 1898.  21p.  (#10560)  Library: Spingarn.

1. Valse
bohèmienne; Allegro ma non troppo. —- for piano.  London: Novello, Ewer, 1903.  4p. (#10560).  Library: Library of Congress.  —- 1. for string quartet & piano.  London: Novello, 1899.  (#410662a).
—– Victor Olof Sextet.  78rpm:  His Masters Voice 2346.  —– 1. —- for violin & piano.  London: Novello, 1903.  4p. & pt. (#10560).  Library: Library of Congress.         2.
Valse rustique; Tempo di valse.  —- for piano.  London: Novello, 1903.  9p. (#10560).
Library: Library of Congress.  —-
for violin & piano.  London: Novello,
1903.  9p. & pt.  Library: Library of Congress. —– 3. Valse de la reine; Andante con sentimento.  Library: Luck’s.  —– Victor Olof Sextet. 78rpm:  His Masters Voice 2346. —- for piano.  London: Novello, Ewer, 1898.  14p. (#10560).  Library: Library of Congress; Schomburg;
Spingarn; Yale.  —– 4. Valse mauresque; Furioso.  —- for piano.  London: Novello, 1903.  19p.
(#10560)  Library: Library of Congress.  —- for violin & piano.  London: Novello, 1903.  21p. & pt.  Library: Library of Congress.

5
Choral ballads, op. 54,
for solo baritone, SATB & orchestra (1904).
London: Breitkopf und Härtel, 1904 (each title also published
separately).  51p. (#L.65).  Text: Poems
of slavery, by Henry Wadsworth Longfellow.
Dedication: The Samuel Coleridge-Taylor Choral Society, Washington
(organized 1902).  Première: 1904/11/16;
Washington, Convention Hall; Harry T. Burleigh, barione; Samuel
Coleridge-Taylor, conductor (not 1905/10/25; Norwich Musical Festival as often
reported).  Library: British Library
(1905 imprint, 95p.). Contents:

Volume
1, piano-vocal score.  Leipzig: Breitkopf
und Härtel, 1904, as 3 Choral ballads.  51p.
Library: British Library; Library of Congress; Schomburg; Spingarn;
Yale.  1. Beside the ungathered rice he lay, for SATB.  2. She
dwells by great Kenhawa’s side, for SATB. —- for SATB. 3. Loud he sang the Psalm of David, for
SATB.  Vol. 2, piano-vocal score.  London: Breitkopf und Härtel, 1905.  31p. (Breitkopf
and Härtel’s edition of vocal scores, L.75).  Library: British Library; Library of
Congress.  4. The quadroon girl, for baritone & SSA.  5. In
dark fens of the Dismal Swamp, for SATB.

Clown
and Columbine, for
narrator, violin, violoncello & piano.
Text: Hans Christian Andersen.
Première: 1912; Keats-Shelley Matinee.

Coleridge-Taylor
selection, for orchestra,
arr. by J. O. Turner.  London: Novello,
1939.  score & parts.  Library: British Library.

Comfort,
op. 42, no. 4, for low
voice & piano.  London: Novello,
1900.  (#11085)  Text: The
soul’s expression, by Elizabeth Barrett Browning.  Library: Spingarn.

Concerto,
violin, op. 23, F sharp minor, Pathètique, by Heinrich Wilhelm Ernest, reorchestrated by Samuel
Coleridge-Taylor (1986).  Not extant.

Concerto,
violin, op. 80, G minor
(1911).  London: Metzler, 1912.  Contents: 3 movements (in the original
version, the second movement quoted Many
thousand gone, and the third quoted Yankee
Doodle).  Duration: 25:00.  Dedication: Maud Powell.  Première: 1911; Norfolk Musical Festival,
Connecticut (an informal reading had taken place earlier in the Small Public
Hall, Croydon, with William J. Reed, violin, with the composer at the
piano).  Library: Spingarn.  —- for violin & piano, edited by W.
J.Reed.  London: Metzler & Co.,
1912.  Library: British Library;
Newberry.  AT: A. Saltmarsh, violin;
Avril Coleridge-Taylor, piano [excerpts].
M-5995.  Library: National Sound
Archives, London.

2,
Andante. London: Metzler, 1912.  —- for
organ, arr. by J. Stuart Archer.  London:
Metzler & Co., 1915.  Library:
British Library.  3. London: Metzler,
1912.  65p.  (M. & Co. 221).

A
corn song, for medium
voice & piano (1897).  London: Boosey,
1897.  Text: Paul Laurence Dunbar.  Library: Schomburg, Spingarn. —- for medium
voice & orchestra.  London:
Boosey.  Library: Schomburg, Spingarn.

A
dance of bygone days, for
medium voice & piano.

Danse
nègre.  à         African suite.

The
death of Minnehaha, op. 30, no. 2 (1899), for solo soprano and baritone, SATB & orchestra.  London: Novello, 1899.  110p. (#8299).  Text: Henry Wadsworth Longfellow.  Duration: 40:00. Instrumentation: 2222 p;
4231; timp 2perc; strings.  Première:
1899/10/26; North Staffordshire Musical Festival, Hanley.  Library: Library of Congress (string parts);
Luck’s (7617); Spingarn. —– Opa Locka FL: Edwin F. Kalmus. (#3921).

78rpm:
Elsie Suddaby, soprano; George Baker, baritone; Howard Fry, bass; Royal Choral
Society; Royal Albert Hall Orchestra; Sir Malcolm Sargent, conductor. His
Masters Voice C2210/13.  AC: Helen Field,
soprano; Bryn Terfel, baritone; Welsh National Opera; Kenneth Alwyn, conductor.  Argo MC-430356-4.  CD: Helen Field, soprano; Bryn Terfel,
baritone; Welsh National Opera; Kenneth Alwyn, conductor.  Argo CD-430356-2.  Ever
thicker; And the foremost said; Forth into the empty forest;        Gitchie
Manito; Give your children food; Minnehaha; And the lovely Laughing Water; Hark,
she said; Wahonomin; Then he sat down,
for soprano & orchestra.  Duration:
5:00.  Library: Luck’s (07617).
AT: Jacqueline Faulcon, soprano; Baltimore Symphony Orchestra; Paul
Freeman, conductor (1973). Library: Lerma; Then
they buried Minehaha.; For her soul;
Farewell, said he; To the land of the
hereafter. —- for piano, arr. by John Pointer.  London: Novello, 1917.  35p.
(#14947). —- piano-vocal
score.  51p.  Library: Library of Congress.

Deep
river, for  violin & piano, arr. or edited by Maud
Powell [?].  Boston: Ditson, 1911.  [Not based on the spiritual.].  Duration: 5m30s.  Library: Spingarn.  —- for orchestra, arr. by Frank
Walker.  London: Hawkes & Son.

The
Delaware’s farewell, for
medium voice & piano.

Didn’t
my Lord deliver Daniel?,
for piano trio.  Boston: Ditson, 1906.

Dimple-chin, for medium voice & piano.

Drake’s
drum, for SA & piano
(1906).  London: J. B. Cramer, 1906.  8p.
Text: Henry Newbolt.  Duration: 2m45s.  “Original version”  Library: Library of Congress, Spingarn.

Boston:
Oliver Ditson, 1906.  8p.  Library: Library of Congress.  —- for SATB & piano, arr. by T. L. Le
Cras.  London: J. Curwnen, 1923.  8p. (#61169).  Library: Library of Congress. —- for TTBB,
arr. by Percy E. Fletcher.  London: J.
Curwen, 1906.

Dream
lovers, op. 25, operatic
romance in one act, for soprano, mezzo-soprano, tenor, baritone & orchestra
(1898).  London: Boosey, 1898.  1.
Prelude; 2. Duet: Is the red rose?; 3. Trio: You may go from bleak Alaska; 4.
Song: Long years ago; 5. Song: Pray tell me; 6. Solo & chorus: I’m a
wealthy wand’ring wight; 7. Quartet: Long, long the labour Text: Paul
Laurence Dunbar.   Première: 1898/12/16
(Tortolano and Horne say 1898/12/18); Public Hall, Croydon; Brahms Choir;
Samuel Coleridge-Taylor, conductor. (Tortolano registers this as op. 25;
Berwick Sayers says op. 25 is missing and registers this as op. 11.).  AT: Luvada Harrison, soprano; Yvette
Matthews, mezzo-soprano; Garymichael Murphy, tenor; Kevin Short, baritone;
Peabody Chamber Orchestra; Edward Polochick, conductor [orchestrator
unidentified(1984/02). ---- Library: Lerma; Peabody. ---- piano-vocal
score.  London: Boosey, 1898.  4, 37p. (#2242).  Library: Library of Congress.

The
Easter morn, for medium
voice & piano (1904).  London:
Boosey, 1904.  7p.  Text: Arthur Chapman.  Library: Schomburg, Spingarn (cataloged as The Easter moon). ---- for medium voice,
violin, violoncello & organ.  London:
Enoch.  7p.  Library: Library of Congress, Schomburg.

6
Easy pieces, for violin
& piano.

Elegy,
organ, G minor
(1898).  London: Novello, 1898. (The village organist, v15).  Based on material from the first movement of
the Nonet, op. 2.

Encinctured
with a twine of leaves,
for SSA (1908). London: Novello, 1908.  (Novello's 8vo edition of trios, quartets,
382)  Text: Samuel Taylor Coleridge.  Library: Library of Congress. ---- for SA
& piano, arr. by H. A. Chambers.
London: Novello, 1933.  7p. (#15867; Novello's 8vo edition of 2-part songs for female voices, 278).  Library: Library of Congress.

Endymion's
dream, op. 65,
opera-cantata in 1 act for soprano, tenor, SATB & orchestra (1909).  London: Novello, 1910.  Text: C. R. B. Barrett, after John
Keats.  Première: 1910/02/04; Brighton
Musical Festival.  Chorus was originally
for women's voices.  Library: Schomburg.  Contents include: ---- Who calls?, for tenor & orchestra.  London: Novello. ---- for tenor & piano.
London: Novello, 1913.  12p.
(#13908).  Library: Schomburg, Spingarn.

Ethiopia
saluting the colours, op. 51, concert march, for orchestra (1902).  London: Augener, 1902.  (Augener's
edition, 6106c [string parts]; other parts on rent)  Dedication: Treble Clef Club,
Washington.  Première: Albert Hall,
London; Albani Commemoration Concert; Croydon Orchestral Society; Samuel
Coleridge-Taylor, conductor.  Library:
Schomburg. —- for organ, arr. by Edmondstoune Duncan.  London: Augener, 1903.  16p. (Augener’s
edition, 6106d).  Library: Library of
Congress.  —- for piano (4 hands).  London: Augener, 1902.  19p.
(#12309; Augener’s edition,
6106b)  Library: Library of Congress. —-
for piano.  London: Augener, 1902.  (#12307; Augener’s
edition, 6106a).  Library: Library of
Congress; Peabody; Spingarn; Yale.

Eulalie, for medium voice & piano (1904).  London: Boosey, 1904. 9p.   Text: Alice Parsons.  Library: Library of Congress.

The
evening star, for SATB
(1911).  London: Novello, 1911. Text:
Thomas Campbell.  Duration: 2m20s.  AT: Morgan State University Choir; Nathan
Carter, conductor (1976). Library: Lerma. —– LP:  Audio House AHS-30F75 (1975). Library: CBMR
(Lerma).

An
explanation, for high
voice & piano.  London: Augener,
1914.  Text: Walter Learned.  Library: Lerma; Schomberg; Spingarn.  AT: George Shirley, tenor; Wayne Sanders,
piano (1976, Westminster Choir School).  AT:  Library: Lerma. —- for medium voice &
piano.  Boston: Arthur P. Schmidt,
1914.  5p.  (10304)
Library: Spingarn.

The
fair at Almachora, for
SATB.  London: Augener. (Augener’s edition, 4660).

5
Fairy ballads, for high
voice & piano.   London: Boosey, 1909
(also published separately)  26p.
(6428).  Text: Kathleen Easmon.  Library: Schomburg, Yale. 1. Sweet baby butterfly; —- for low voice
& piano.  London: Boosey, 1909.
(#6428); 2. Alone with mother; 3. Big lady moon. —- for low voice &
orchestra.  London: Boosey, 1909.  5p. (#6428). Library: Schomburg, Spingarn. —-
for low voice & piano.  78rpm: Violet
Oppenshaw, contralto. His Masters Voice D-688. 4. The stars.—- for low voice & piano.  London: Boosey, 1909.  Library: Spingarn. 5. Fairy roses. —- for medium voice & piano.  London: Boosey, 1909.  7p. (#6428) Library: Schomburg; Spingarn.  —- for high voice & orchestra.  London: Boosey, 1910.  (#6556-6560).
Library: Library of Congress (parts). —– for low voice &
piano.  London: Boosey.  Library: Yale.

Fall
on me like a silent dew,
for SA & piano (1911).  London: J.
Curwen, 1912.  4p. (#71376).  Text: Robert Herrick (1647).  Library: Library of Congress.

Fantasiestück,
violoncello & orchestra, A major (1906).
Manuscript not extant.  Première:
1907/07/07; Tower, New Brighton; Nary McCullagh, violoncello.

Fantasiestücke,
string quartet, op. 5
(1895). London: Augener, 1921.  (#10555; Augener’s edition, 7207). Dedication:
Sir Charles Stanford.  Première:
1895/03/13; Royal College of Music.
Library: Library of Congress (parts). 1. Prelude in E minor; Allegro ma non troppo; 2. Serenade in G major; Andante molto; 3. Humoresque in A minor; presto; 4. Minuet and trio in G; allegro moderato.  —- for piano, arr. by Alex Roloff.  5. Dance
in G; vivace.

Faust,
op. 70, for piano
(1908)  London: Boosey, 1908.  23p. (#6050).
Duyration: 15:00.  Library:
Library of Congress. —- for band. —- for orchestra (1909).  London: Boosey, 1909.  23p.
(#6106)  Text: Stephen Phillips
and J. Comyns Carr, after Goethe.
Première: 1908/11/07; His Majesty’s Theatre, London.  Library: Library of Congress; Yale. —- Dance and chant, Devil’s kitchen scene.
London: Boosey.  78rpm: Regent
Concert Orchestra. Boosey & Hawkes 1922.      —-
for piano. —- Dance of the witches. 78rpm: Regent Concert Orchestra; William
Hodgson, conductor. Boosey & Hawkes BH-1922. —- The four visions: Helen, Cleopatra, Messalina, and Margaret.  London: Boosey. 78rpm: Regent Concert
Orchestra.  Boosey & Hawkes 1922. —-
A king there lived in Thule, for high
voice & piano.  London: Boosey,
1908.  7p. (#6021).  Library: Library of Congress; Spingarn. —-
for medium voice & piano.  New York:
Boosey, 1908.  Library: Schomburg.

Five-and-twenty
sailormen, for medium
voice & piano (1911).  n.p.?: John
Church, 1910.  Text: Greville E.
Matheson.  Duration: 3:00.  Library: Schomburg; Spingarn.

Forest
of wild thyme, op. 74, for
orchestra (1911).  London: Boosey,
1911.  Text: Alfred Noyes. Commission:
Beerbohn Tree.  1. Scenes from an imaginary ballet.
New York: G. Schirmer, 1911.
Library: Luck’s (5301). —- for piano.
New York: Schirmer; London: Winthrop Rogers, 1911.  17p. (#2764).
Library: Peabody; Schomburg; Spingarn; Yale.  78rpm: Alec Rowley, piano. Anglo-French 2053.
CD:  Pearl GEMM-9965. —- for orchestra,
arr. by Elliott Schenck.  London:
Lafleur.  —- a) Molto vivace, D.  London:
Winthrop Rogers, 1911.  5p.  (#22671)
Library: Library of Congress. —- b) Allegretto, B flat.  London:
Winthrop Rogers, 1911.  5p.  (#22672)
Library: Library of Congress. —- c) Tempo di menuetto, G.
London: Winthrop Rogers, 1911.
5p.  (#22673)  Library: Library of Congress. —- d) Andantino, A flat.  London: Winthrop Rogers, 1911.  5p.
(#22674)  Library: Library of
Congress. —- e) Vivacissimo, A minor.  London: Winthrop Rogers, 1911.  5p.
(#22675)  Library: Library of
Congress. —- f) [?].  London: Winthrop
Rogers, 1911.  5p.  (#22676)
Library: Library of Congress. 2. Three
dream dances, in D, F & G.
London: Ascherberg, Hopwood and Crew, 1911, 1921.  (#10610-7)
Library: Library of Congress.—– 78rpm: London Palladium Orchestra;
Clifford Greenwood, conductor.  78rpm:
His Masters Voice 8876/7. 78rpm: Victor 27230/1.  CD:  Mayfair
Orchestra; George W. Byng, conductor. Pearl GEMM-9965. 78rpm:  His Masters Voice B-8876/7.  CD:
Pearl GEMM-9965.  78rpm: Hastings
Municipal Orchestra; Basil Cameron, conductor. Decca M11, 16. —- for band.         —- for chamber orchestra. —- for
piano.  London: Ascherberg, Hopwood and
Crew, 1914.  18p. (#A.H. & C.
5368a).        Library:
Peabody, Schomburg, Spingarn, Yale. —– Cameron. 78rpm:  Decca M-11, M-16.         —- for piano (4 hands). —- for violin & piano, arr.
by Alfred Moffat.  London: Ascherberg,
Hopwood & Crew, 1924.  18p. & pt.
(#10803).  Library: Library of Congress. —-
for violoncello & piano, arr. by Alfred Moffat.  London: Ascherberg, Hopwood & Crew.  18p.   (#A.H&C.
10945).  Library: Library of Congress. 3.
Intermezzo.  78rpm: Symphony Orchestra; Malcolm Sargent,
conductor. His Masters Voice B-8113.  LP:  Cedric Sharp Sextet.  Pearl GEMM-9965.  78rpm:
MHV C-1894. —- for band, arr. by T. Conway Brown.  London: Boosey & Hawkes.  Library: Library of       Congress. —- for organ, arr. by Purcell J. Mansfield.  London: Ascherberg, Hopwood & Crew,
1946.  Library: Library of Congress.  78rpm: W. Steff-Langston, organ of Elite
Cinema, Wimbledon.  Columbia 4319. —-
for piano.  London: Ascherberg, Hopwood
& Crew, 1911. Library: Spingarn. 78rpm: JB-8113.4. Songs. a)  Your heart’s desire.  London: Boosey, 1920. b) Little boy blue. —- for SA & piano.  London: Boosey, 1923.  Library: Library of Congress. c) Come in.  London: Boosey, 1920. d) Dreams, dreams, for high voice & piano.  London: Boosey & Hawkes, 1923. —- for
SA & piano.  London: Boosey,
1923.   Library: Library of Congress.       5. Christmas overture, for orchestra.  London:
Boosey & Hawkes, 1925.  11p.
(#H11744).  Duration: 5m.  Instrumentation: 1121; 4230; perc;
strings.  Library: Luck’s (#5300). —–
78rpm: Symphony Orchestra; Malcolm Sargent, conductor.  His Masters Voice C-2485. —– CD: Symphony
Orchestra; Malcolm Sargent, conductor.  Pearl
GEMM-9965. —– 78rpm: BBC Wireless Symphony Orchestra; Percy Pitt, conductor.  Columbia 9137.  —– LP: BBC Wireless Symphony Orchestra;
Percy Pitt, conductor.  Rare Recorded
Edition-185.  78rpm: New Light Symphony
Orchestra; Ainsley Murray, conductor.
His Masters Voice B-8378/9; Victor 27225/6. —–  CD: Albert Coates, conductor. Pristine PAM
X0005 (ca. 2008).  —- for orchestra, arr. by Syndey
Barnes.  London: Boosey, 1925. (#H.11699;
Boosey’s orchestral journal,
263).  Library: Library of Congress
(parts).  —– CD:  Duration: 5m53s. Naxos 8.570331 (ca.
2008; The night before Chrstmas).  —- for piano.  London: Novello, 1925.  11p. (#11744).  Library: Peabody.

Forest
scenes, op. 66, 5 characteristic pieces, for piano (1907).
London: Augener, 1907.  25p.  (Augener’s
edition, 6097; #13552)  Dedicated:
Frances Taylor.  Library: Library of
Congress, Peabody, Schomburg, Yale.

London:
Augener, 1915.  Library: Yale.              1.
The lone forest maiden.  London: Augener, 1915.  4p.
Library: Library of Congress; Yale.
See also Coleridge-Taylor, Avril. Forest scenes.  2. The phantom lover arrives. 3. The phantom tells his late of longing.  London: Augener.  4. Erstwhile
they ride, the forest maiden acknowledges her love.  5. Now
proudly they journey toward the great city.

From
the prairie, rhapsody, for
orchestra.  London: Boosey.  Première: 1911; Norfolk Musical Festival,
Connecticut.  [Tortolano cites 1914 date].  —- for piano.

Genevieve, for high voice & piano.  New York: William Maxwell, 1905.   9p. (#736).
Text: Samuel Taylor Coleridge.
Library: Library of Congress, Spingarn.
—- for medium voice & piano.
Library: Library of Congress.

The
gift rose, for high voice
& piano (1907).  Boston: Oliver
Ditson, 1907.  5p.  (#5-37-66582).  Text: Dr. Frederic Peterson.  Library: Spingarn.

London:
Winthrop Rogers, 1921, 1907.

Gipsy
suite, op. 20, for violin
& piano (1898).  London: Augener,
1904.  28p. (Augener’s edition, 11340; #12680).
Library: Schomburg, Spingarn, Yale (44p.).           1. Lament and
tambourine.  London: Augener,
1904.  2 vols.  (#12680; Augener’s
edition, 11340)  Library: Library of
Congress. AT:       Joseph Striplin,
violin, with piano) 1976, Detroit Museaum of Art.  AT: Library: Lerma. 2. A Gipsy song.  London:
Augener, 1908, 1897.  16p. (Augener’s edition, 7357; 11163). AT: Joseph
Striplin, violin, with piano) 1976, Detroit Museum of Art.  Library: Lerma. 3. A Gipsy dance.  London:
Augener, 1908, 1897.  16p. (Augener’s edition, 7357; 11163). —-
for violoncello & piano.  London:
Augener.   4. Waltz.  London: Augener,
1904.  2 vols.  (#12680; Augener’s
edition, 11340)  Library: Library        of Congress.  AT: Joseph Striplin, violin, with piano)
1976, Detroit Museum of Art.  Library:
Lerma.

The
gitanos, op. 26,
cantata-operetta for soprano, 2 mezzo-sopranos; 2 contraltos, SSA & piano
(1898).  London: Augener, 1898.  40p.  (Augener’s edition, 9088 [9088a, words
only; 9088b, in tonic sol-fa notation]; #11247)
Text: Edward E. Oxenford.
Library: Spingarn.

—-
Isola, arr. by Ernest Reeves. —-
for piano, arr. by Alex Roloff.  London:
Augener, 1916.  5p. (#15009).  Library: Peabody.

The
guest, for medium voice
& piano (1911).  London: Augener,
1914.  Text: Robert Herrick.  Library: Schomburg, Spingarn. —- for medium
voice & orchestra.

Hemo
dance, scherzo, op. 47, no. 2,
for orchestra (1900).  London: Novello,
1900.  Duration: 7:00.  Instrumentation: 3222; 4230; timp perc;
strings.  Library: Fleisher (1765).

London:
Novello, 1902.  (#11293)  Library: Library of Congress (string parts).

New
York: Arthur P. Schmidt, n.d.  Library: Spingarn.  —- for violin & piano.

Herod,
op. 47, no. 1, for medium
voice & orchestra (1900).  London:
Augener, 1901.  Text: Stephen
Phillips.  Duration: 12:45.  Instrumentation: 3222; 4230; timp;
strings.  Commission: Beerbohm Tree. —-
for piano.  London: Augener, 1901.  17p. (Augener’s
edition, 6105; #11986).  Library:
Library of Congress, Peabody, Schomburg, Spingarn. —- for piano (4
hands).  London: Augener, 1901.  27p. (#11996; Augener’s edition, 6880).
Library: Library of Congress. Contents (other titles appear in the
manuscript for the incidental music):       1.
Processional.  London: Augener, 1901.  7p.
Library: Library of Congress. 2. Breeze scene.  London: Augener, 1901.  8p.
Library: Library of Congress. —- for piano.  London: Augener, 1901.  3. Dance.  London: Augener, 1901.  8p.
Library: Library of Congress.  —-
for piano.  London: Augener, 1901.  4. Finale.
London: Augener, 1901.  6p.  Library: Library of Congress.  ?. Sleep,
sleep, O king, for medium voice & orchestra.  London: Enoch, 1900. —- for medium voice
& piano.  New York: Boosey,
1900.  7p.  (#E. & S. 2781).  Library: Spingarn.

Hiawatha
ballet, op. 82, no. 1, for
orchestra, orchestrated by Percy E. Fletcher (1912).  London: Boosey, 1919.  25p.
(#H&S 5706).  Duration: 18:00.  Library: Library of Congress. —– 78rpm: Lutetia
Wagram Orchestra; Fernand Heuteur, conductor. Columbia D-1067. —- for band,
arr. by Frank Winterbottom.  London:
Boosey & Hawkes. —– 78rpm: Band of H. M. Coldstrem Guards; Lt. R. G.
Evans [excerpts]. His Masters Voice C-1057. Contents: 1. Hiawatha’s wooing; The wooing.
78rpm: New Queen’s Hall Orchestra; Alick Maclean, conductor.  Columbia L-1540/1.         LP:  Rare Recorded Edition 185. —- for piano. 2.
The wedding feast; The marriage feast.  —- for piano.  3a. The
famine.  3b. Bird scene and conjurer’s dance.
London: Boosey, 1922.  78rpm: Regent
Concert Orchestra; William Hodgson, conductor. —– 78rpm:  Boosey & Hawkes 1922 (Conjurer’s dance only). —- for piano. 4.
The departure.  AT: CBS Concert Orchestra; Bernard Herrman,
conductor.   Library: Lerma.    5. The reunion in the last of the hereafter.
—- for piano.

Hiawathan
sketches, op. 16, for
violin & piano (1896).  London:
Augener, 1897.  17p.  (Augener’s
edition, 7356; #11074)   Première: 1896;
Salle Erard, in recital with Paul Laurence Dunbar.  Library: Spingarn.

1.
A tale.  2. A
song.  3. A dance. —- for organ.
London: Augener, 1908 (with fingering by William Henley).

Hiawatha’s
departure, op. 30, no. 4,
for soprano, tenor, baritone, SATB & orchestra (1900).  London: Novello, 1900.  Duration: 40:00.  Instrumentation: 3232; 4231; timp perc hrp
(optional organ); strings.  Text: Henry
Wadsworth Longfellow.  Première: 1900/02/11[Horne
says 22]; Royal Albert Hall, London; Royal Choral Society.  Library: Library of Congress (564); Luck’s
(7618). —– Opa Locka FL: Edwin F. Kalmus.
(#5368).

AC:
Helen Field, soprano; Arthur Davies, tenor; Bryn Terfel, baritone; Welsh
National Opera; Kenneth Alwyn, conductor.
Argo MC-430356-4.  CD: Helen Field,
soprano; Arthur Davies, tenor; Bryn Terfel, baritone; Welsh National Opera;
Kenneth Alwyn, conductor.  Argo
CD-430356-2. —- piano-vocal score.
London: Novello, 1900.  199p.  Library: Yale.

1.
Spring had come, for solo
soprano.  London: Novello, 1900.  16p. (#1151).
Also available with German text.
Library: Library of Congress.
78rpm: Elsie Suddaby, soprano, with orchestra.  His Masters Voice D-3476. AC: Jacqueline
Faulcon, soprano; Baltimore Symphony Orchestra; Paul Freeman (1973).  Library: Lerma.   —- for soprano & piano. London: Novello, 1900.  2. From
his wand’rings.  3. At each other look’d the warriors.  4. True
is all Iagoo tells us.  5. By the shore of Gitche Gumee.  6. All
the air was full of freshness. 7. From
the brow of Hiawatha, for solo soprano.
Library: Luck’s.  8. Beautiful is the sun, for baritone.  9. Then
the generous Hiawatha.  10. Still the guests.  11. And
they said farewell.  Hiawatha’s vision.  London: Novello.  —-
piano-vocal score.  London:
Novello.  Also available in German text.

Hiawatha’s
wedding feast, op. 30, no. 1
(1898), for tenor, SATB & orchestra.
London: Novello, 1900.  127p.  Text: Henry Wadsworth Longfellow.  Duration: 32:00. Instrumentation: 2222 p;
4231; timp perc hrp; strings.
Dedication: Sir George Grove.
Première: 1898/11/11; Royal College of Music.  Library: Kalmus; Library of Congress (563);
Luck’s (7616).

London:
Novello, 1902, as Hiawathas Hochzeit,
trans. by Ferdinand Freiligrath and A. J. Jarger.  74p. (Novello’s
original octavo edition).  Library:
Library of Congress (62-66615).

78rpm:
Walter Glynne, tenor; Royal Choral Society; Royal Albert Hall Orchestra; Sir
Malcolm Sargent, conductor.  His Masters
Voice C-1931/4. —– LP: Richard Lewis, tenor; Royal Choral Society;
Philharmonia Orchestra; Sir Malcolm Sargent, conductor.   Angel
S-35900 (1962).  Library: CBMR (Lerma).  LP: Richard Lewis, tenor; Royal Choral
Society; Philharmonia Orchestra; Sir Malcolm Sargent, conductor.    His Masters Voice ALP-1899.  LP:  Richard
Lewis, tenor; Royal Choral Society; Philharmonia Orchestra; Sir Malcolm
Sargent, conductor.   His Masters Voice ASD-467.  LP: Richard Lewis, tenor; Royal Choral
Society; Philharmonia Orchestra; Sir Malcolm Sargent, conductor.   His
Masters Voice ESD-7161.  AC: Arthur
Davies, tenor; Welsh National Opera; Kenneth Alwyn, conductor.AC: Argo
MC-430356-4.  CD: Arthur Davies, tenor;
Welsh National Opera; Kenneth Alwyn, conductor.Argo CD-430356-2.  LP: Anthony Rolfe-Johnson, tenor; Bournemouth
Symphony Ochestra & Chorus; Kenneth Alwyn, conductor.  His Masters Voice EL-2701451.  —– EP [?]:
Alexandra Choir; Sinfonia of London; Charles Proctor, conductor
[excerpts]. Gramo 7EP.  Contents: 1. You shall hear how Pau-Puk-Keewis.  78rpm: Royal Choral Society; Sir Malcolm
Sargent, conductor.  His Masters Voice
HQM-1115.  2. Then the handsome Pau-Puk-Keewis. 3. He was dress’d in shirt of doe-skin.  4. First
he danc’d a solemn measure. 5. Then
said they to Chibiabos.  6. Onaway, awake beloved, for tenor &
orchestra.  London: Novello, 1898.
(#10723).  Duration: 5:00.  Instrumentation: 2222; 4000; hrp;
strings.  Library: Luck’s (2823),
Spingarn, Yale (manuscript, fragment of incipit). —– 78rpm: F. T. Herton,
tenor. Decca K-543. —– 78rpm: J. McHugh, tenor.  Decca SX-1512. 78rpm: Webster Booth, tenor;
Liverpool Philharmonic Orchestra; Sir Malcolm Sargent, conductor.   His Masters Voice C-3407.  78rpm: Webster Booth, tenor; Liverpool
Philharmonic Orchestra; Sir Malcolm Sargent, conductor.  His Masters Voice D-654.  78rpm: Webster Booth, tenor; Liverpool
Philharmonic Orchestra; Sir Malcolm Sargent, conductor.   His Masters Voice 7009.  78rpm: Tudor Davies, tenor, with orchestra. His
Masters Voice HMQ-1228. 78rpm: Tudor Davies, tenor, with orchestra.  His Masters Voice D- 1142.  CD: Tudor Davies, tenor, with orchestra.  Pearl GEMM-9965.  78rpm: Paul Althouse, tenor. Victor 55059 ()
c1923.  LP: William A. Brown, tenor;
London Symphony Orchestra; Paul Freeman, conductor.  Columbia M-32782 (Black composers series, vol. 2; 1974).  Library: CBMR (Lerma). —– New York: H. W.
Gray, n.d.  (p75-92) & parts. —-
for piano, arr. by John Pointer.  London:
Novello, 1917.  38p. (#14389).  Library: Peabody. —- for tenor &
piano.  London: Novello, 1898.  58p. Library: Spingarn, Yale.        —-
for treble voices & piano, arr. by H. A. Chambers.  London: Mills Music.  58p.  (Novello’s original octavo edition,
16088; #07-0077-80). 7. Thus the gentle
Chibiabos. 8. Very boastful was Iagoo.
9. Such was Hiawatha’s wedding. —–
piano-vocal score.  London: Novello.  Library: Library of Congress (piano-vocal
score & parts). —– for orchestra, arr. by W. G. Ross.  London: Novello, 1921.  (#14797).
Contains selections.  Duration:
37:00.  Instrumentation: 2122; 2210; timp
perc hrp; strings.  Library: Fleisher.  —– for SSAA & piano, arr. by H. A.
Chambers.  London: Novello.  (#07-007700).

3
Humoresques, op. 31, for
piano (1897).  London: Augener,
1898.  19p.  (Augener’s
edition, 6102)  Contents: (1) in D;
(2) in G minor; (3) in A.  Nos. 1 & 3
also published separately.  Library:
Peabody, Spingarn, Yale.  —- for
orchestra.  London: Augener, 1897.  Instrumentation: 3222; 4231; timp perc;
strings. —- for orchestra, arr. by Avril Coleridge-Taylor.  London: Boosey.

I
was way down a-yonder, for
piano trio.  Boston: Oliver Ditson, 1906.

Idyll,
op. 44, E minor, for
orchestra (1901).  London: Augener;
Novello, c1922.  Duration: 5:00.  Instrumentation: 2222; 4210; timp hrp;
strings.  Première: 1901/09/11;
Gloucester Musical Festival.  Library:
Fleisher (1764).  —- for violin &
piano.

If
I could love thee, for low
voice & piano (1905).  New York:
William Maxwell, 1905.  6p. (#731).  Text: Louise Alston Burleigh.  Library: Schomburg, Spingarn.

I’m
troubled in mind, for
medium voice & piano.  London: Boosey
& Hawkes, n.d. —- for orchestra.
Duration: 5m30s.

3
Impromptus, organ, op. 78
(1911). London: A. Weekes, 1911.
23p.  Contents: (1) in F; (2) in
C; (3) in A minor.  Duration: 12m.  —- for piano, arr. by Purcell James
Mansfield.  London: A. Weekes; Chicago:
C. F. Summy, 1914, 1911.  16p.  —- for orchestra.

2
Impromptus, piano.
[London?]: Forsythe, 1910. London: Augener, 1911.  (Augener’s
edition, 6096).  Published
separately.  1. in A.  4p.
(#14128)  Library: Peabody. —-
for organ.

78rpm:
R. Arnold Grier, organ.  Zonophone 5229. 2.
in B minor.  5p.  (#14127)
Library: Peabody, Yale.

In
memoriam; 3 Rhapsodies, op. 24, for low voice & piano (1898).
London: Augener, 1898.  9p. (Augener’s edition, 8868; #11278).  Contents: (1) Earth fades, heaven breaks on
me (text: Robert Browning); (2) Substitution (text: Elizabeth Barrett Browning;
(3) Weep not, beloved friends (text: Chiabrera).  Dedication: To a friend.  Première: Paul Laurence Dunbar? (Tortolano).  Library: Spingarn, Yale.

In
the press, for organ, arr.
by A. Eaglefield Hull, for organ.
Sayers, p320, suggests this is part of Album.

In
thee, O Lord, have I put my trust, for SATB.  London: Novello,
1891.  Dedication: Col. Herbert A.
Walters.

Interlude,
for organ.

The
island of gardens, for
medium voice & piano.  London: Boosey
& Hawkes, 1911.

Isle
of beauty, for SATB with
piano reduction.  Boston: Arthur P.
Schmidt, 1920.  7p. (Arthur P.         Schmidt’s octavo
edition, 205).  Text: T. H. Bayly.  London: Augener, 1920.  3p. (#15420; Augener’s edition, 4657).
Library: Library of Congress.

Jubilate
deo.  London: Novello, 1899.  8p. (Novello’s
parish choirbook, 418).  Library:
Library of Congress.

A
June rose bloomed, for SSA
& piano (1906).  London: Augener,
1911, 1906.  5p.  (Augener’s
edition, 4249; 4249a in tonic sol-fa notation)  Text: Louise Alston Burleigh.  Library: Yale.

Keep
me from sinking down, slow movement on a Negro melody, for violin & orchestra.  Dedication: Maud Powell.  Première: 1911; Norfolk (CT) Music
Festival.  Library: Yale.

Keep
those eyes, for soprano,
tenor & piano.  London: Novello,
1903.  Text: Thomas Moore.  Library: Library of Congress; Spingarn
(manuscript, 8p.).

Kubla
Khan, op. 61, rhapsody,
for mezzo-soprano, SATB & orchestra (1905).
New York: Schuberth; London: Novello; Houghton, 1905.  50p. (#559).
Text: Samuel Taylor Coleridge.
Première: 1906; Queen’s Hall, London; Handel Society.  Library: Library of Congress; Schomburg;
Spingarn; Yale.

A
lament, for medium voice
& piano.  London: Ricordi, 1910.  6p.
Text: Christina Rossetti.
Duration: 2:45.  Library:
Schomburg, Yale.

AT:Avril
Coleridge-Taylor, soprano; N. Turner, piano. 1393.  Library: National Sound Archive, London.

Lament, for piano (1909).  London: Augener.  Library: Spingarn.

Land
of the sun, op. 15, for
SATB & piano (1897?).  London:
Augener, c1897.  8p. (Augener’s edition, 4661).  Text: Bride
of Abydos, by Lord Byron.
Dedication: Sir Walter Parrett.

The
lee-shore, for SATB
(1911).  London: Novello, 1912.  8p. (#45-1231-36).  Text: Thomas Hood.  Duration: 2:50.  Library: Library of Congress.  —- for TTBB with piano reduction.  New York: H. G. Gray; London: Novello,
1929.  8p. (#15485; The Orpheus, 610).  Library:
Library of Congress.

Legend
from the Concertstück, op. 14,
for violin & orchestra (1893).
London: Augener, 1897, 1908.
Dedication: Marie Motto.  Edition
of 1908 has violin part edited by J. Henley.
Library: British Library (1897 and 1908 imprints). —- for violin &
piano.  London: Augener, 1897.  (#11011; Augener’s
edition, 7353)  Library: Library of
Congress.

Life
and death, for high voice
& piano.  London: Augener, 1914.  5p.
Text: Jessie Adelaide Middleton.
Duration: 1m45s.  Library:
Schomburg, Yale.  78rpm: Webster Booth,
tenor; Hubert Greenslade, piano.  His
Masters Voice B-9451. —– 78rpm: Peter Dawson, tenor, with piano.  His Masters Voice B-8325. —- for high voice
& orchestra. —- for medium voice & piano.  New York: Arthur P. Schmidt, 1914.  5p. (#14770).
Library: Schomburg, Spingarn.  —-
for piano, arr. by Alex Roloff.

Lift
up your heads, for
soprano, contralto, tenor, bass & organ.
London: Novello, 1892.  5p.
(#28-0409-03).  Text: Psalms 24:7,8.

Park
Ridge: Neil A. Kjos, 1950. —– Melville: Belwin-Mills.  5p. (Church
music review, 1460). —– for SAB & piano, ed. by Walter Ehret.  Westbury: Pro Art, 1955.  8p.
Library: Library of Congress. —- for SATB & band, arr. by Forrest
L. Buchtel.  Chicago: Neil A. Kjos,
1950.  Library: Library of Congress. —-
for SATB & organ, arr. by Forrest L. Buchtel.  Chicago: Neil A. Kjos, 1950.  Library: Library of Congress. —- for SATB
& piano, ed. by Walter Ehret.
Westbury: Pro Art, 1954. (Pro Arte
chorale, 1536).  Library: Library of
Congress.

The
links o’ love, for low
voice & piano (1910).  New York: John
Church, 1910.  7p. (#16426).  Text: Greville E. Matheson.  Library: Schomburg, Spingarn.

Little
boy blue, op. 84, for
unison chorus.  London: Boosey &
Hawkes, 1923.

6
Little songs for little folks, op. 19, no. 2, for medium voice & piano (1898).  London: Boosey, 1898.  21p.
Text: Cooper (Kingsley?) and Charles Kingsley.  Contents: (1) Sea shells; (2) A rest by the
way; (3) A battle in the snow; (4) A parting wish; (5) A sweet little doll; (6)
Baby land.  Dedication: “to my
little sisters and brothers, Alice, Marjorie, and Victor.”  Library: Library of Congress.

The
Lord is my strength, for
SATB.  London: Novello, 1892.  (#28-0398-04).

Loud
sang the Spanish cavalier,
for TTBB with piano reduction (1910).
London: J. Curwen, 1910.  6p.  Text: Henry Wadsworth Longfellow.  Library: Library of Congress.

Love
is like the roses, for low
voice & piano.  New York: Arthur P.
Schmidt, 1918.  5p. (#A.P.S. 12347).  Text: Robert Buchanan.  Library: Spingarn.

A
lovely little dream, for
medium voice & piano (1909).  New
York: Schirmer; London: Metzler, 1909.
Text: Sarojini Naidu.  Library:
Schomburg, Spingarn. —- for string orchestra & organ.  London: Metzler. (De Groot and the Picadilly orchestra series, vol. 2).  Library: Schomburg, Spingarn.

Love’s
mirror, song for Michelmas Day, for medium voice & piano (1897).
London: Augener, 1916.  3p.  Library: Spingarn, Yale.

Love’s
passing, for low voice
& piano (1905).  New York: William
Maxwell, 1905.  7p. (#737).  Text: Louise Alston Burleigh.  Library: Library of Congress; Spingarn. —–
New York: Arthur P. Schmidt, n.d.
Library: Spingarn.  Reprinted in The dome (Michaelmass Day, 1897)
p77-79.  Library: Library of Congress. —-
for medium voice & piano.  Library:
Library of Congress.

Love’s
questionings, for medium
voice & piano (1904).  London: Keith,
Prowse, 1904.  7p.  Text: Alice Parsons. Library: Library of
Congress.

Low
breathing winds, for high
voice & piano.  London: Augener,
1914. (#10299).  Text: W. C. Berwick
Sayers.  Library: Schomburg, Spingarn,
Yale. —- for medium voice & piano.
London: Augener, 1914. (#14639).
Library: Spingarn, Yale.

Luconor:
Jesu, the very thought of thee, for SATB.  n.p.?: n.d.?  (Methodist
Sunday School Hymnal).

4
Lyrics after his songs,
for piano, arr. by Alex Roloff.  London:
Augener, 1917.  (Album series, 58).  Library:
British Library; Schomburg.

Magnificat
and Nunc dimittis, op. 18.  London: Novello, 1899.  15p. (Novello’s
parish choirbook, 419).  Library:
Library of Congress.

Many
thousand gone, slow movement on a Negro melody, for violin & piano. Library: Royal College of
Music.   See also: Concerto, violin, op. 80, G minor.

Meditation, for piano.  New York: Associated Music Publishers, 1915.

Meg
Blane, A rhapsody of the sea, op. 48 (1902), for mezzo-soprano, SATB & orchestra.  London: Novello, 1902.  Text: Robert Buchanan.  Dedication: Mary Wakefield.  Première: 1902/10/03; Sheffield Musical
Festival; Henry Wood, conductor.
Library: Library of Congress (4 vols., SATB parts with 1903 imprint,
string parts with 1902 imprint).

Contents
include:  Lord, hearken to me, Epilogue.
London: Novello, 1904.  Library:
Library of Congress. —– piano-vocal score.
London: Novello, 1902.  80p.
(#11307).  Library: Schomburg, Yale.

Melody,
organ, D major (1898).  London: Novello, 1898.  (The
village organist, v12).

Menuet,
piano, ed. by Alex
Roloff.  London: Augener, 1917.  7p. (#15075).
Library: Library of Congress, Peabody.

Minnehaha
ballet music, op. 82, no. 2,
for piano.  London: Hawkes & Son,
1925.  31p. (#H. & S. 6313).  Duration: 19m30s.  Library: Library of Congress; Schomburg;
Spingarn.

78rpm:
Grosvenor Orchestra. ACO G-16046/7.              1. Laughing Water. 2. The
pursuit. 78rpm: Regent Concert Orchestra; Adolf Lotter, conductor. Boosey
& Hawkes 1916. 3. Love song. 4. The homecoming. 78rpm: Regent Concert
Orchestra; Adolf Lotter, conductor.  Boosey
& Hawkes 1916. —- for band. —- for chamber orchestra, arr. by Percy E.
Fletcher (1912).  London: Hawkes, 1925.
(#H&S 6312).  Library: Library of
Congress (parts).  Publisher’s title: Suite Hiawatha. —- for orchestra, arr.
by Adolf Lotter.  London: Boosey &
Hawkes, 1916.

Moorish
dance, op. 55, for piano
(1904).  London: Augener, 1904.  17p. (Augener’s
edition, 6107; #12682).  Library:
Peabody, Spingarn.  See also Coleridge-taylor, Avril. Rhapsodic dance, no. 2, orchestra.

2
Moorish tone-pictures, op. 19, no. 1, for piano (1897).
London: Augener, 1897.  12p. (Augener’s edition, 6101; #11145).  Library: Peabody, Spingarn. —- for piano,
simplified edition by Alex Roloff.
London: Augener, 1915.Contents (also published separately)       1. Andalla.  London: Augener, 1897.  6p. 2. Zarifa.  London: Augener, 1897.  See also: Album
of melodies.

Morning
and evening service, op. 18, F major, for SATB & organ (1890).  London: Novello, 1899 (in Parish choir book).  14, 10, 7, 9, 5p.  Contents: (1) Te Deum; (2) Benedictus; (3)
Jubilate; (4) Magnificat; (5) Nunc dimittis.

My
Algonquin, for medium
voice & piano (1909).  Philadelphia:
Theodore Presser, 1909. Text: Henry Wadsworth Longfellow.  Library: Spingarn. Boston [?]: Summy,
1910.  Library: Spingarn.

My
doll, for medium voice
& piano (1900).  London: Boosey,
1910.  Text: Charles Kingsley.

My
lady, for medium voice
& piano.  London: Augener, 1916.  Library: Spingarn.

New
York: Arthur P. Schmidt, n.d.   Library:
Spingarn.

24
Negro melodies, op. 59, no. 1, for piano (1904).  Boston:
Oliver Ditson, 1905.  ix, 127p. (Musicians library; #ML-865 to 888).  Preface by Booker T. Washington.  Première? (of three titles): 1904; Music
Hall, Chicago; Samuel Coleridge-Taylor, piano.
Library: Library of Congress (5-10910), Spingarn, Yale. New York: Da
Capo, 1979, 1905.  ix, 127p.  Includes introduction by William
Tortolano.  Library: Library of Congress
(LC 80-10552; ISBN 0-306-78023-1).  LP: Frances
Walker, piano. 2 Orion ORS-78205/306 (1978).
Library: CBMR (Lerma).        1. At the dawn of day; Loko ku ti ga.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress. —- for orchestra.  London: Novello, 1906.  5p.
Library: Library of Congress (& parts). —- for violin &
piano.  London: Novello, 1906.  15p.
Library: Library of Congress. 2. The
stones are very hard: Maribye ma nonoha ngopfu.  Boston: Oliver Ditson, 1905.  5p. Library: Library of Congress. —- for
orchestra.  London: Novello, 1906.  Library: Library of Congress (parts). —-
for violin & piano.  London: Novello,
1906.  5p. & part.  Library: Library of Congress. 3. Take Nabandji: Thata Nabandji.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress. CD: Virginia Eskin, piano. Koch 3-7056 H1.
4. They will not lend me a child: A ba
boleki mwana!  Boston: Oliver Ditson,
1905.  5p.  Library: Library of Congress.  —- for orchestra.  Library: Library of Congress (parts). —-
for violin, violoncello, piano.  Boston:
Oliver Ditson, 1906.  Library: Library of
Congress. 5. Song of conquest:
Ringendj‚;xx.  Library: Library of
Congress. —- for violin &
piano.  London: Novello, 1906.  13p.
Library: Library of Congress.       6.
Warrior’s song.  Boston: Oliver Ditson, 1905.  9p.
Library: Library of Congress.            7.
Oloba.  Boston: Oliver Ditson, 1905.  11p.
Library: Library of Congress. 8. The
bamboula; African dance.  Boston:
Oliver Ditson, 1905.  7p.  Library: Library of Congress.  See also
à            Rhapsodic dance, no. 1, and Stors, Jean.
London: Augener, 1900.  Duration: 2m28s.  LP: Ruth Norman, piano. Opus One 39
(c1978).  Library: CBMR (Lerma).  CD: Virginia Eskin, piano. Koch 3-7056 H1. [excerpt].
Detroit: Board of Education, City of Detroit, 1971 (Afro-America sings).              9. The angels changed my name.
Boston: Oliver Ditson, 1905.
7p.  Library: Library of Congress.
10. Deep river.  Boston: Oliver Ditson, 1905.  7p.
Library: Library of Congress.  AT:
Raymond Jackson, piano (1981).  Library:
Lerma.  CD: Virginia Eskin, piano. Koch
3-7056 H1. —- for high voice & piano, arr. by William Arms Fisher.  Duration: 3m48s. LP: Isador Oglesby, tenor;
John Miller, piano.  Praise 658
(1979).  Library:  CBMR (Lerma). —- for soprano & TTBB.
78rpm: Frances Alda, soprano; Orpheus Quartet. Victor 64687 (c1923).
—- for violin & piano, arr. by Maud Powell.  78rpm: Maud Powell, violin; Falkenstein, or
Liachowsky, piano. Victor 74246 (before 1920). CD:  Maud Powell, violin; Falkenstein, or
Liachowsky, piano.  11. Didn’t my Lord deliver Daniel?  Boston: Oliver Ditson, 1905.  7p.
Library: Library of       Congress.  AT: Raymond Jackson, piano (1981).  Library: Lerma.

—-
for orchestra. —- for violin, violoncello, piano.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress (parts). 12. Don’t be weary traveler.
Boston: Oliver Ditson, 1905.
5p.  Library: Library of Congress.
—–       Philadelphia: Theodore
Presser, 1940 (Etude, p39-40)  Library: Library of Congress. —– —- for
organ. —– 13. Going up.  Boston: Oliver Ditson, 1905.  7p.
Library: Library of Congress.  CD:
Virginia Eskin, piano.  Koch 3-7056 H1. 14.
I’m troubled in mind.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress. 15. I
was way down a-yonder: Dum-a-lum.
Boston: Oliver Ditson, 1905.
7p.  Library: Library of Congress.  — for orchestra. —- for violin,
violoncello & piano.  Boston: Oliver
Ditson, 1906.  Library: Library of
Congress. 16. Let us cheer the weary
traveler.  Boston: Oliver Ditson, 1905.  7p.
Library: Library of Congress. 17. Many
thousand gone.  Boston: Oliver
Ditson, 1905.  7p.  Library: Library of Congress. 18. My Lord delivered Daniel.  Boston: Oliver Ditson, 1905.  7p.
Library: Library of Congress. —- for orchestra.  —- for violin, violoncello &
piano.  Boston: Oliver Ditson, 1905.  9p.
Library: Library of  Congress
(parts). 19. Oh, he raise a poor Lazarus.  Boston: Oliver Ditson, 1905.  9p.
Library: Library of Congress.  20.
Pilgrim’s song.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress.  21. Run, Mary, run.  Boston: Oliver Ditson,
1905.  7p.  Library: Library of Congress.  CD: Virginia Eskin, piano. Koch 3-7056 H1. 22.
Sometimes I feel like a motherless child.  Boston: Oliver Ditson, 1905.  5p.
Library: Library of Congress.  AT:
Mildred Ellis, piano. Library: Lerma. —– CD: Virginia Eskin, piano.  Koch 3-7056 H1.       —- for medium voice & piano, arr. by William Arms Fischer
(his op. 19, no.2).  Boston: Oliver
Ditson, 1917.  7p.  (#5-150-72070)  Library: Spingarn. —- for orchestra. —-
for violin, violoncello, piano.  Boston:
Oliver Ditson, 1906.  9p. & pts.  Library: Library of Congress. 23. Steal away.  Boston: Oliver Ditson, 1905.  Library: Library of Congress.  AT: Raymond Jackson, piano (1981). Library:
Lerma. 24. Wade in the water.  Boston: Oliver Ditson, 1905.  7p.
Library: Library of Congress. —- [excerpts]  Boston: Oliver Ditson, 1906.  Library: Library of Congress. —-
[excerpts]  London: Winthrop Rogers,
c1920 or 1924.  3 vols. (6 Negro melodies).—- [excerpts]  Chapel Hill: Hinshaw, 1981.  28p. (4
Negro melodies).  Contains 4 titles,
edited by Maurice Hinson.

Nero,
op. 62, incidental music,
for orchestra (1906).  London: Novello,
1907.  Text: Stephen Phillips.  Duration: 24m.  Instrumentation: 2222; 4231; timp hrp perc;
strings.  Dedication: Beerbohm Tree.  Première: 1906; His Majesty’s Theatre,
London.  Library: Fleisher (1766).

New
York: H. W. Gray. —– London: Novello, 1906.
Library: Library of Congress (contains excerpts). —- for piano.  London: Novello, 1909.  35p.
Library: Library of Congress. —- for violin & piano.  London: Novello, 1906.  8p.
Library: Library of Congress. 1. Prelude.  London: Novello, 1906.  Parts.
Library: Library of Congress.      —-
for violin & piano.  London: Novello,
1906.  14 or 15p. & part.  Library: Library of Congress. 2. Intermezzo, Singing girls’ chorus. —-
for violin & piano.  London: Novello,
1906.  5p. & part.  Library: Library of Congress. 3. Eastern dance.  Library: Library of Congress (parts). 4. First entr’acte. 5. Second entr’acte, Poppea. —- for violin & piano.  London: Novello, 1906.  13p. & part.  Library: Library of Congress.  6. Processional
march. —- Suite.  Contents: (1) Prelude; (2) Intermezzo; (3)
Eastern dance; (4) Processional march.

Nonet,
op. 2, F minor, for piano, clarinet, bassoon, horn, & string quintet (1894).
Première: 1895/07/05; Royal College of Music, London.  Library: Royal College of Music.  See also Elegy,
organ, G minor.

Nourmahal’s
song and dance, op. 41, no. 2,
for piano (1900).  London: Augener,
1900.  11p. (Augener’s edition, 6104).
Library: Yale. Boston: Oliver Ditson, 1905. 1. Nourmahal’s song.  London:
Augener. —– AC: Hildred Roach, piano (1977). Library: Lerma. 2. Nourmahal’s dance.

4
Novelletten, op. 52, for
string orchestra & percussion (tambourine & triangle) (1902).  London: Novello, 1903.  12, 10, 11, 14p. (#11577-11580).  Contents: (1) in A; (2) in C; (3) in A minor;
(4) in D.  Duration: 21:00.  Library: Fleisher (521s, 539s, 540s, 541s);
Library of Congress (score & parts); Spingarn (nos. 1 & 4). —- for
violin & piano.  London: Novello,
1903.  12, 9, 10, 12p. & part.  Library: Library of Congress.

Now
late on the Sabbath day, anthem for Eastertide, for SATB.
London: Novello, 1901.  8p. (Novello’s octavo anthems, 695).  Text: St. Matthew 28:1-9, 19, 20.  Library: Library of Congress.

O
mariners, out of the sunlight,
for TTBB (1910).  London: J. Curwen.  (#50462).
Text: Robert Buchanan.

O
mistress mine, for medium
voice & piano (1906).  Boston: Oliver
Ditson; London: Winthrop Rogers, 1906.
5p.  Text: From Twelfth night, Act II/3, by William
Shakespeare.  Library: Library of
Congress, Spingarn.

O
who will worship the great god Pan?, for TTBB (1910).
London: J. Curwen, 1910.  Text:
Robert Buchanan.

O
ye that love the Lord, for
SATB & organ.  London: Novello,
1892.  4p. (1623; #40-0882-00).  Text: Psalms 97. —- for SATB & organ,
arr. by James Allan Dash.  Baltimore:
Baltimore Music Co., 1951. (James Allen
Dash choral arrangements, 222).
Library: Library of Congress.

The
oasis, for medium voice
& piano.  London: Augener, 1898.  Text: Adrienne [Adrien, in Tortolano]
Ross.  Music based on Part-songs, op. 21, no. 1, We strew these
opiate flowers.  See also: Album of melodies.

Oh,
the summer, for SA &
piano (1911).  London: J. Curwen, 1911.
(#71308).  Text: Isabel Ecclestone
Mackay.  Library: Library of Congress.

Oh
sweet, thou little knowest,
for medium voice & piano.  London:
Ricordi.

Oh
tell me, gentle zephyr,
for medium voice & piano.

Once
only, for medium voice
& piano (1906).  London: Winthrop
Rogers, 1906.  7p.  Text: from Youth and love by Robert Louis Stevenson.  Library: Library of Congress, Spingarn.

Boston:
Oliver Ditson, 1906.  7p. (#5-19-65712)

Organ
album, arr. by A.
Eaglefield Hull.  London: Augener,
1916.  37p., 2v in 1 (#15059).  Library: British Library; Library of
Congress.

2
Oriental valses, op. 19, no. 1, for piano (1905).  London:
Forsyth, 1905.  5, 8p.  Library: British Library; Library of
Congress. (also published separately): 1. Haidée.
2. Zuleika.

Othello,
op. 79, incidental music,
for orchestra (1911).  London: Metzler,
1911.  56p. (M&Co.Ltd 207).  Text: William Shakespeare.  Duration: 11m30s.  Instrumentation: 3222; 4221; timp perc;
strings.  Dedication: Phyllis
Neilson-Terry.  Première: Her Majesty’s
Theatre, London.  Library: Fleischer
(2010); Library of Congress [1912 imprint].
78rpm: New Symphony Orchestra; Sir Malcolm Sargent, conductor. Boosey
& Hawkes 4273/4. —– CD:  New
Symphony Orchestra; Sir Malcolm Sargent, conductor Pearl GEMM-9965. AT: B. B.
C. Concert Orchestra; Avril Coleridge-Taylor, conductor.  T1393.
Library: National Sound Archive, London. —- for band, arr. by Frank
Winterbottom.  New York: Boosey &
Hawkes. 78rpm: Band of H. M. Coldstream Guards; Lt. R. G. Evans, conductor.  His Masters Voice C-1099. LP:  Rare Recorded Edition 185. —- for chamber
orchestra. —- for organ.  London:
Metzler, 1924.  27p.  (#709). —- for piano.  London: Metzler, 1912.  20p.
(#M. & Co. (1909) ltd. 206).
Library: Schomburg, Spingarn, Yale. —- for violin & piano.

1.
Dance.   2. Children’s intermezzo.
—- for band, arr. by Frank Winterbottom.
London: Boosey & Hawkes.
(#H424). 3. Funeral march. —-
for organ.        4. The willow song. —- for high voice & piano.  78rpm: Mavis Bennett, soprano. His Masters
Voice B-2929. —– AT: Lorely Dyer, soprano. M-3330.  Library: National Sound Archive, London. —-
for low voice & piano.  London:
Metzler, 1912.  5p. (#M&Co. (1909)
190).  Library: Spingarn. —- for organ,
arr. by Frank E. Brown.  London: J. B.
Cramer, 1970.   (Cramer’s library of organ music by British composers). 5. Military march.           —- for organ. LP: Frederick Bayco, organ.  His Masters Voice CLP-1777.

Our
idyll, for medium voice
& piano.  London: Augener, 1906.  Text: Adrienne Ross.  Music based on A June rose bloomed.
Library: Spingarn.

Overture
to the Song of Hiawatha, op. 30, no. 3, for orchestra (1899).  London: Novello, 1899.  23p. (Echoes
aus Concert und Oper, 32).  Duration:
4m. Première: 1899/10/06; Norwich Musical Festival.  Library: Library of Congress (parts). —-
for piano.  London: Novello, 1899.  23p. (#10912).  Library: Library of Congress.

Papillon, for piano (1908).  London: Augener, 1908.  11p. (Augener’s
edition, 6096; #13778).  Duration: 3m55s.  Library: Peabody, Spingarn, Yale.  LP: Felipe Hall, piano. Da Camera Magna
SM-93144 (1975).  Library: CBMR (Lerma).

Part-songs,
op. 21, for SSA &
piano (1898).  London: Augener,
1898.  Première: 1898/12/16; Public Hall,
Croydon. 1. We strew these opiate
flowers.   Text: Hellas by Percy Bysshe Shelley. London: Augener, 1898.  (Augener
ed. 4247)  4p.  Library: Library of Congress [incorrectly
entered as op. 35, no. 2]. 2. How they so
softly rest.  London: Augener  (Augener
edition, 4249).  Text: Henry
Wadsworth Longfellow, after Klopstock. —- for piano.

Part-songs,
op. 67, for SATB
(1905).  London: Augener, 1905.  (Augener’s
edition, 4659). 1. All my stars
forsake me.  Text: Alice Meynell. 2. Dead in the sierras.  Text: Poems
of wild life in the Canterbury poets, by Joaquin Miller.  See also: Album
of melodies.     London: Augener.  (Augener’s edition, 4659a).  In tonic sol-fa notation.      3. The feast of Almachara.  Text: R. H. Horne.

The
parting glass, for
narrator & piano.  Première: 1912;
Keats-Shelley Matinee.

Petite
suite de concert, op. 77,
for orchestra (1911).  London: Hawkes,
1911.  (H&S 4598).  Duration: 14m30s.  Instrumentation: 3222; 4230; timp perc;
strings.  Library: Fleisher; Library of
Congress (parts, with 1910 imprint); Luck’s (7619), Schomburg.

Bonn:
Boosey (as Kleine Konzert-suite).  LP: Philharmonia Orchestra; George Weldon,
conductor.  His Masters Voice SXLP-30123.
—– LP: Philharmonia Orchestra; George Weldon, conductor.  His Masters Voice SXLP-30123. Philharmonia
Orchestra; George Weldon, conductor.  MFP
4510.  78rpm: London Symphony Orchestra;
Sir Malcolm Sargent, conductor. Columbia DX-651/2.  78rpm: London Symphony Orchestra; Sir Malcolm
Sargent, conductor.  78rpm: London
Symphony Orchestra; Sir Malcolm Sargent, conductor.  His Masters Voice C-2372/3.  78rpm: London Symphony Orchestra; Sir Malcolm
Sargent, conductor. RCA Victor 13792.
78rpm: London Symphony Orchestra; Sir Malcolm Sargent, conductor. Victor
11283/4.  78rpm: Bournemouth Muncipal
Orchestra; Howard Godfrey, conductor.  Columbia DB-2478/80.  78rpm: Bournemouth Municiipal Orchestra; Dan
Godfrye, conductor.  Columbia DX-651/2.  CD: Bournemouth Municiipal Orchestra; Dan
Godfrye, conductor. Pearl GEMM-9965.
78rpm: Queen’s Hall Light Orchestra; Sydney Torch, conductor. Columbia
DB-2479/80.  Library: Lerma.  LP: Queen’s Hall Light Orchestra; Sydney
Torch, conductor.  Columbia ML-2180.  78rpm: Piccadilly Orchestra; DeGroot,
conductor.  His Masters Voice C-1218,
1233. —– LP: Piccadilly Orchestra; DeGroot, conductor.   Rare Recorded Editions 185. —- for band,
arr. by Frank Winterbottom.  London:
Boosey & Hawkes.  78rpm: Royal
Marines.

78rpm:  Columbia DX-1041/2. —- for piano.  London: Hawkes, 1916.  23p. (#H. & S. 5440).  Library: Library of Congress, Peabody,       Schomburg, Spingarn, Yale.

78rpm:
Ansell. Columbia 9340/1.  CD: Virginia
Eskin, piano.  Koch 3-7056. —- for 2
pianos.  London: Hawkes.  Library: Luck’s (#07619).

78prm:
M. Rawicz & W. Landauer, pianos. Columbia DB-2205/6. —- for violin &
piano.  London: Hawkes, 1916, 1911.  14p. (#H. & S. 4598 [piano], 4664
[violin]).  Library: Library of Congress.  —- 1. La
caprice de Nanette: Nannette’s whim; allegro con brio. 78rpm: London
Symphony Orchestra; Sir Malcolm Sargent, conductor.   Columbia 69080.  78rpm: London Symphony Orchestra; Sir Malcolm
Sargent, conductor. Società Italiana di Fonotipia Milano U-520. —- 2. Demande et réponse: Question and answer;
andante. 78rpm: London Symphony Orchestra; Sir Malcolm Sargent, conductor. Columbia
69080.  78rp: London Symphony Orchestra;
Sir Malcolm Sargent, conductor. Società Italiana di Fonotipia Milano U-520.  AT: B.B. C. Concert Orchestra; Avril
Coleridge-Taylor, conductor.  1393.
Library: National Sound Archive, London. —-
for string orchestra.  78rpm: J. Wilbur
String Ensemble. Boosey & Hawkes S-2096. —- for piano. 78rpm: Richard
Crean, piano. Decca LF-1010.  78rpm: Richard
Crean, piano. Decca LSB-196. —- for 2 trumpets & 2 trombones, arr. by
Denis Wright.  London: Boosey &
Hawkes, 1938.  4p. & parts (B&H
8177).  Library: Library of Congress
(46-29826). —- for violin & piano.
New York: Schirmer, 1911.
(#27136)  Library: Spingarn.  —- 3. Un
sonnet d’amour; allegretto.  —- 4. La tarantelle frétillante; vivace.

The
pixies, for SSA
(1908).  London: Novello, 1908.  (Novello’s
octavo edition of trios, quartets & choruses for female voices)  Text: Samuel Coleridge-Taylor.  Library: Library of Congress.  —- for SA & piano, arr. by H. A.
Chambers.  London: Novello, 1933.  7p. #15866; Novello’s octavo edition of two-part songs for female voices,
277)  Library: Library of Congress.

Prayer
for peace (1911), for
unison voices.  London: J. Curwen,
1911.  Text: Alfred Noyes.

Prithee,
tell me, for medium voice
& piano.

Prelude.
Library: Spingarn.

Quartet,
strings.  London: Augener, 1895.  Contents: (1) Prelude; (2) Serenade; (3)
Humoresque; (4) Menuet and trio.
Duration: 5:00 [sic].

Quartet,
strings, op. 13, D minor
(1896).  Not extant.

Quintet,
clarinet & strings, op. 10, F sharp minor (1895).
Leipzig: Breitkopf und Härtel, 1895.
(Kammerbibliothek, 159/163;
parts only).  Contents: (1) Allegro
energico; (2) Larghetto affetuoso; (3) Scherzo; allegro leggiero; (4) Finale;
allegro agitato.  Duration: 26:18.  Première: 1895/07/11; Royal College of Music.
—– London: Musica Rara, 1974. —– New York: McGinnis & Marx; Deiro
Music Headquarters. LP: Ramon Kireilis, clarinet; Lamont String Quartet. Spectrum
SR-127 (1980).  Library: CBMR (Lerma).  LP: Georgina Dobrée, clarinet; Amici String
Quartet.  Chantry Discourses ABM-23
(1976).  Library: CBMR (Lerma).  CD: Harold Wright, clarinet; Hawthorne
Quartet.  Koch 3-7056 2H1.

Quintet,
piano & strings, op. 1, G minor (1893).
Library: Royal College of Music.

Rhapsodic
dance, op. 75, no. 1, Bamboula, for orchestra (1910).  London:
Hawkes & Son, 1911.  51p. (H&S
4728).  Duration: 8:00.  Instrumentation: 2222 p; 4231; timp perc;
strings.  Dedication: Mr. and Mrs. Carl
Stoeckel.  Première: 1911; Norfolk
Musical Festival, Connecticut (reference on the cover of the published set of
parts to a first performance by the New York Philharmonic in June 1910
doubtless refers to a rehearsal, conducted by the composer in Carnegie
Hall).  Library: British Library (plus
parts with 1912 imprint); Fleisher (147); Lerma; Library of Congress (also
parts); Luck’s (5299); Schomburg.Instrumentation: 3222; 4321; timp perc;
strings.  AC: Bournemouth Symphony
Orchestra; Kennth Alwyn, conductor.  VESD-
EL-2701454.  LP: Bournemouth Symphony
Orchestra; Kennth Alwyn, conductor.  VESD
7161.  AT: B. B. C. Concert Orchestra;
Avril Coleridge-Taylor, conductor. T-1393.
Library: National Sound Archive, London. —- for band, arr. by Frank
Winterbottom.  London: Hawkes & Son,
1920.  (Hawkes & Son’s miltary band edition, 428).  Library: British Library.  LP: Band of H. M. Colstream Guards; Lt. R. G.
Evans, conductor.  His Masters Voice
C-1022.  LP: Band of H. M. Colstream
Guards; Lt. R. G. Evans, conductor. LP: RRE-185.

Rhapsodic
dance, op. 75, no. 2, for
orchestra.  New York: Boosey &
Hawkes.  Duration: 8:00.  Instrumentation: 3322; 4231; timp perc hrp;
strings.

Romance,
violin & orchestra, op. 39, G major (1899).  London:
Novello, 1900.  (#10976).  Instrumentation: 2222; 4231; timp;
strings.  Library: Fleisher (831v),
Library of Congress (score & parts); Schomburg. —- for violin &
piano, arr. by Théophile Wendt. London: Novello, 1900.  13p.
Library: Library of Congress.
Première: 1899/05/24; Salle Erard, London; Samuel Coleridge-Taylor,
violin; Jessie S. Fleetwood Walmisley, piano.

Romance,
violin & piano, op. 60
(1905).  London: Augener, 1905.  7p. (#11341).
Library: Schomburg.  Dedication:
Goldie Baker.

Romance,
violin & piano, op. 73, C minor.  London:
Augener.  (#11343).  The opus number is also share with Ballade, op. 73.

Romance
of the prairie lillies,
for orchestra.  London: Boosey &
Hawkes, 1931. —- for band.

2
Romantic pieces, violin & piano, op. 9 (1896).
London: Augener, 1908, 1896.  (Augener’s edition, 7352).  Première: 1896/03/06; Royal College of
Music.  The 1908 edition has fingering           by J. Henley.   1. Lament.  London: Augener, 1908, 1896.  5p. & part.  Library: Schomburg. 2. Merrymaking.

St.
Agnes’ Eve, for orchestra
(1910).  London: Hawkes, 1922.  10p. (#H.&S. 6009).  Text: John Keats.  Duration: 8:00.  Première: 1910/06/10; Keats-Shelley Festival,
London. 1. That ancient beadsman heard
the prelude soft. 78rpm: Regent Concert Orchestra; William  Hodgson, conductor. Boosey & Hawkes 1909. 2. Her maiden
eyes divine. 78rpm: Regent Concert Orchestra; William Hodgson, conductor.  Boosey & Hawkes 1909. 3. Prophyro, now tell me where is Madeline.
—- for piano.  Library: Schomburg,
Spingarn. —- for orchestra, arr. by Adolf Lotter.  London: Boosey & Hawkes, 1922. —- for
band.

Scènes
de ballet, op. 64, for
piano (1906).  London: Augener,
1906.  27p. (Augener’s edition, 6098; #13355).
Contents: (1) in C; (2) in A; (3) in A flat; (4) in B flat.  Library: Spingarn, Yale. —- for orchestra,
arr. by Avril Coleridge-Taylor.

Scenes
from an everyday romance, op. 41, no. 1, for orchestra (1900).  London: Novello, 1900.  37p.
(#5301; 11029)  Contents: (1)
Allegro, in E minor; (2) Andante, in G major; (3) Tempo di valse, in B minor;
(4) Presto, in E minor.  Duration:
12:00.  Instrumentation: 3222 (p); 4230;
timp perc hrp; strings.  Première:
1900/05/24; Queen’s Hall, London; Philharmonic Society.  Library: Fleisher (1774); Library of
Congress. —- for piano.  New York:
Schirmer, 1911.  17p.

Scenes
from the Song of Hiawatha, op. 30.  London: Novello,
1898-1900.  xvi, 200p.  Library: Schomburg. 1. Hiawatha’s wedding feast (1898). 2. The death of Minnehaha (1899). 3.
Overture to the Song of Hiawatha (1898).
4. Hiawatha’s departure (1900).

Sea-drift,
op. 69, rhapsody, for
SSAATTBB (1908).  London: Novello,
1908.  19p. (Novello’s part song book, 1076).
Text: T. B. Aldrich.

The
sea shell, for SATB
(1911).  London: J. Curwen, 1911.  Text: Alfred Lord Tennyson.

Serenade.  à  Album of
melodies.

She
dwells by great Kenhawa’s side, op. 54, no.2, women’s voices & piano.  Leipzig: Breitkopf und Härtel, 1905.  15p.
Text: Henry Wadsworth Longfellow.
Library: Library of Congress.

She
dwellt amongst the untrodden ways, for medium voice & piano (1911).
Text: William Wadsworth.

She
rested by the broken brook,
for high voice & piano (1906).
Boston: Oliver Ditson, 1906.  7p.
(#72722).  Text: Robert Louis Stevenson,
from The unforgotten, in Praise and
ballads.  Duration: 3:00.  Library: Schomburg, Spingarn, Yale.

London:
Winthrop Rogers, 1921.

Recorded:

John
McCormack, tenor; Edwin Schneider, piano.

78rpm:  His Masters Voice DA-1778.

78rpm:  His Masters Voice HQM-1176.

Dorothy
Maynor, soprano.

CD:  Library of Congress (19  , 1940).

She
sat and sang away.  à     6 Sorrow songs.

3
Short pieces, organ.  London: Novello, 1898.  (The
village organist, books 12, 15, 16)
Contents: (1) Melody; (2) Elegy; (3) Arietta.  Duration: 8:00.  No. 1 based on a theme from his symphony,
fourth movement, fourth version.

3
Short pieces, organ.  London: Novello, 1920. (Original compositions, new series,no. 69)  Contents: (1) Arietta; (2) Elegy); (3)
Melody.  Library: British Library.

The
Shoshone’s adieu, for
medium voice & orchestra (1904).
London: Boosey, 1904.  Text: Brice
Fennell.

—- for medium voice & piano.  London: Boosey, 1904.  Library: Schomburg.

3
Silhouettes, op. 38, for
piano (1899).  London: Edwin Ashdown,
1904.  18p.

Contents:

1.
Tambourine.  London: Edwin Ashdown, 1904.  7p.

2.
Valse.  London: Edwin Ashdown, 1904.  5p.

3.
Lament.  London: Edwin Ashdown, 1904.  7p.

Sleep,
sleep, O king.  à         Herod.

Solemn
prelude, op. 40, for
orchestra. (1899) London: Novello, 1899.
Dedication: F. N. Kilburn.
Première: 1899/09/13; Three Choirs Festival, Worcester; Samuel
Coleridge-Taylor, conductor.  Original
title: A solemn rhapsody.

—- for piano.  London: Novello, 1899.  10p. (#10895).  Library: Library of Congress; Peabody;
Schomburg.

Solitude, for high voice & piano (1893).  London: Augener, 1918.  5p.
Text: Lord Byron.  Première: 1893.  Library: Yale.

Sonata,
clarinet & piano, F minor
(1893).  Not extant.

Sonata,
piano, C minor (c1893).
Not extant.

Sonata,
violin & piano, D minor, op. 28 (1899).
London: Hawkes, 1917 (ed. by Albert Sammons).  27p.           &
part (#H&S 5577).  Library: Library
of Congress.

Recorded:

Albert
Sammons, violin; W. Murdoch, piano.

78rpm:  Columbia L-1396/7.

Song
of conquest, op. 59, no 2,
for piano.  Boston: Oliver Ditson,
1905.  9p.

Song
of deliverance, SATB &
piano.  Boston: Oliver Ditson, 1918.  7p. (#72576-6; Part songs for mixed voices, new series, n2, 13, 268).

Song
of Prosperine, for SATB
(1912).  London: Novello, 1912.  Text: Percy Bysshe Shelley.

Song
of the Nubian girl, for
medium voice & piano (1905).  London:
Augener, 1905.  4p. (#13002).  Text: Thomas Moore.  Library: Library of Congress; Spingarn.

3
Song-poems, op. 50, for
low voice & piano (1903).  London:
Enoch; New York: Boosey, 1905.  18p.  Text: Thomas Moore.  Library: Library of Congress; Schomburg;
Yale.

Contents:

—-
1. Dreaming forever.  New York: Boosey, 1905.  7p. (#3233).
Library: Spingarn.

—-
2. The young Indian maid.  New York: Boosey, 1905.

—-
3. Beauty and song.  New York: Boosey, 1905.  6p.
(#E&S 3237)  Library:
Spingarn.

—- for high voice & piano.  London: Enoch; New York: Boosey, 1905.  18p.
Library: Library of Congress.

3
Songs, op. 29 (1899), for
high voice & piano (1899).  London:
Augener, 1899.  13p. (Augener’s edition, 8869; #11295).  Library: Spingarn, Yale.

Contents:

—-
1. Lucy.  Ttext: William Wadsworth.

—-
2. Mary.  Ttext: William Wadsworth.

—-
3. Jessy.  Text: Robert Burns.

6
Songs, op. 37, for low
voice & piano (1898).  London:
Novello, 1899.  Première (nos. 1-4):
1898/02/24; Croydon Conservatoire; Jessie Walmisley, soprano.  Library: Schomburg, Spingarn.

Contents:

—-
1. You’ll love me yet.  London: Novello, 1899.  4p. (#10818a).  Text: Robert Browning.  Library:                                  Schomburg,
Spingarn, Yale.

—-
2. Canoe song.  London: Novello, 1899.  5p. (#10840).
Text: Isabella Crawford.  Library:
British                     Library;
Schomburg; Spingarn.

—-
for medium voice & piano.  Library:
British Library; Spingarn.

—-
3. A blood-red ring hung around the moon.  London: Novello, 1899.  5p. (#10857).
Text: Barry                                    Dane.  Library: British Library; Schomburg;
Spingarn; Yale.

—-
for medium voice & piano.  London:
Novello, 1920.  (#14690).  Library: British Library;                           Schomburg; Spingarn;
Yale.

—-
4. Sweet evenings some and go, love.  Text: George Eliot.

—-
for medium  voice & piano.  London: Novello, 1899.  4p.
(#10838)  Library: British
Library;                      Schomburg;
Spingarn; Yale.

Recorded:

Walter
Hyde, tenor, with piano.

78rpm:  His Masters Voice E-22.

LP:  Rubini GV-5.

—-
5. As the moon’s soft splendour.  London: Novello, 1899.  5p. (#10866).
Text: To a lady singing                                   to her
accompaniment on the guitar, by Percy Bysshe Shelley.  Library: Library of                           Congress, Schomburg, Spingarn, Yale.

—-
6. Elëanore.  Text: Eric Mackay.

—-
for high voice & piano.  London:
Novello, 1899.  4p.  (#10867).
Library: Spingarn.

London:
Novello, 1909.

Recorded:

Henry
Wendon, tenor; Gerald Moore, piano.

78rpm:  Columbia DB-2083.

78rpm:  His Masters Voice HMQ-1228.

Oldham,
tenor.

Webster
Booth, tenor; Hubert Greenslade, piano.

78rpm:  His Masters Voice B-9451.

LP
EMI GX-2567.

Morel,
tenor.

78rpm:  Parlophone E-11192 ().

Stuart
Burrows, tenor; John Constable, piano.

LP:  L’oiseau lyre SOL-324.  Library: CBMR (Lerma).

—-
for high voice & orchestra.

Recorded:

Tudor
Davies, tenor, with orchestra.

78rpm:  His Masters Voice D-1273.

—-
for low voice & piano.  London:
Novello, 1909, 1906.  5p. (#13113).  Library: Library of      Congress (1906 imprint); Peabody (1906 imprint); Yale (1909
imprint).

—-
for medium voice & piano.  London:
Novello, 1921.  4p. (14785).  Library: Spingarn.

Recorded:

Roy
Henderson, baritone.

78rpm:
Decca F-1699.

78rpm:  Gramophone D-3730.

—-
for medium voice & orchestra.

2
Songs, op. 81, for medium
voice & piano (1912).  London:
Boosey, 1913, 1920.  15p. (#H.7902).  Text: Alfred Noyes.  Library: Library of Congress, Yale.

—- for medium voice & orchestra.

Contents:

—-
1. Waiting; scena.  London: Boosey, 1913.  15p. (#H.7900

—-
2. Red o’ the dawn.

2
Songs, for medium voice
& piano.  London: Augener, 1916.  Contents: (1) My lady (text: E. R.
Stephenson); (2) Love’s mirror (text: Fritz Hart).

3
Songs of Heine.  London: Augener, 1918.  Text: Heinrich Heine; English translation by
Elizabeth M. Lockwood.  Contents: (1) My
pretty fishermaiden [Du schönes Fischermädschen]; (2) Thy sapphire eyes; (3) I
hear the flutes and fiddles.  Library:
Schomburg.

New
York: Arthur P. Schmidt, n.d.  Library:
Spingarn.

Songs
of sun and shade, for high
voice & piano (1911).  London:
Boosey, 1911.  18p. (#H8222).  Text: Margaret Radclyffe-Hall.  Library: Spingarn, Yale.

Contents:

—-
1. You lay so still in the sunshine.

—-
2. Thou hast bewitched me, beloved.

—-
for high voice & orchestra.

Recorded:

Arthur
Reckless, tenor, with orchestra.

78rpm:  His Masters Voice B-8285.

LP:  Pearl GEMM 9965.

—-
3. The rainbow child.  London: Boosey, 1911.  Library: Peabody.

—-
4. Thou art risen, my beloved.

Recorded:

Turner
Layton, tenor, with piano.

78rpm:  Columbia FB-3031.

Tudor
Davies, tenor, with piano.

78rpm:  His Masters Voice E-414.

Dorothy
Maynor, soprano, with piano.

CD:  Library of Congress (19  , 1940).

John
Thorne, baritone, with piano.

78rpm:  ACOG 16064.

—-
for high voice & orchestra.

Recorded:

Arthur
Reckless, tenor, with orchestra.

78rpm:  His Masters Voice B-8285.

LP:  Pearl GEMM 9965.

—-
5. This is the island of gardens.  London: Boosey & Hawkes, 1911.

Recorded:

Avril
Coleridge-Taylor, soprano, with piano.

AT:  T-1393.
Library: National Sound Archive, London.

Recorded:

—-
for high voice & orchestra.

Recorded:

Arthur
Reckless, tenor, with orchestra.

78rpm:  His Masters Voice B-8285.

LP:  Pearl GEMM 9965.

—- for high voice & orchestra.

—- for low voice & piano.

Sons
of the sea, for medium
voice & piano (1910).  London:
Novello, 1910.  9p. (#13182).  Text: Sarojini Naidu.  Duration: 3:15.  Library: British Library (50765), Spingarn.

Recorded:

Peter
Dawson, bass-baritone, with orchestra

78rpm:  His Masters Voice C-2728.

CD:
Pearl GEMM 9965.

—- for medium voice & orchestra.

6
Sorrow songs, op. 57, for
low voice & piano (1904).  London:
Augener, 1904.  23p. (#12715).  Text: Christina Rossetti.  Dedication: Jessie Coleridge-Taylor.  Première: 1904/05; Public Hall, Croydon;
Marie Brema, mezzo-soprano.

Contents:

—-
1. Oh, what comes over the sea.  London: Augener, 1906.  3p.
Library: Library of Congress.

Recorded:

Avril
Coleridge-Taylor, soprano, with piano.

AT:  T-1393.
Library: National Sound Archive, London.

—-
2. When I am dead, my dearest.  London: Augener, 1906.  5p.
Library: Library of Congress.

Recorded:

Violet
Oppenheim, contralto, with piano.

78rpm:  His Masters Voice B-572.

—-
3. Oh, roses for the flush of youth.  London: Augener, 1906.  4p.
Library: Library of Congress.

—-
4. She sat and sang away.  London: Augener, 1906.  4p.
Library: Library of Congress..

—-
for medium voice & orchestra.

—-
5. Unmindful of the roses.  London: Augener, 1906.  3p.
Library: Library of Congress.

Recorded:

W.
Booth, tenor; Hubert Greenslade, piano.

78rpm:  His Masters Voice B-9451.

—-
for medium voice & orchestra.

Recorded:

Arthur
Reckless, tenor, with orchestra.

78rpm:  His Masters Voice B-8285

CD:  Pearl GEMM-9965.

—-
6. Too late for love.  London: Augener, 1906.  5p.
Library: Library of Congress.

—- for medium voice & piano.

The
soul’s expression, four sonnets, op. 42, for low voice & piano (1900).  London: Novello, 1900.  19p.
(#11085)  Text: Four sonnets by Elizabeth Barrett
Browning.  Contents: (1) The soul’s
expression; (2) Tears; (3) Grief; (4) Comfort.
Dedication: Marie Brema.
Première: 1900/09/13; Hereford Musical Festival.  Library: British Museum (50763), Spingarn,
Yale.

—- for low voice & orchestra.

Southern
love songs, op. 12, for
high voice & piano (1896).  London:
Augener, 1896.  15p. (Augener’s edition, 8819; #10976).  Dedication: Mamie Fraser.  Library: Library of Congress; Spingarn.

Contents:

—-
1. My love, a Spanish ditty.  Text: Henry Wadsworth Longfellow.

—-
for medium voice & orchestra.

—-
2. Tears, a lament.  London: Augener, 1896.  3p.
Text: J. G. Lockhart.  Library:
Yale.

—-
for medium voice & piano.

—-
for SATB & organ.  London: Augener,
1921.  Library: Spingarn.

—-
3. Minguillo, ancient Spanish.  Text: J. G. Lockhart.  See also: Album
of melodies.

—-
4. If thou art sleeping, maiden.  Text: Henry Wadsworth Longfellow, after a
Portuguese source.

—-
5. Oh my lonely pillow, stanzas to a
Hindu air.  Text: Lord Byron.

Sometimes
I feel like a motherless child.  à 24 Negro melodies.

Spring
had come.  à  Hiawatha’s departure.

Suite
de pièces, op. 3, violin & piano or organ (1893).
London: Schott, c1895.  Contents:
(1) Pastorale; (2) Cavatina; (3) Barcarolle; (4) Contemplation.  Library: Spingarn.

A
summer idyll, for high
voice & piano (1906).  London:
Boosey, 1906.  7p. (#E.S. 3551).  Text: Hilda Hammond-Spencer.  Library: Library of Congress, Spingarn.

—- for low voice & piano.  London: Boosey, 1906.  Library: Library of Congress.

—- for medium voice & piano.  London: Boosey, 1906.  Library: Library of Congress.

Summer
is gone, for SATB
(1911).  London: J. Curwen, 1911.  Text: Christina Rossetti.  Duration: 3:00.

Recorded:

Glasgow
Orpheus Choir; Sir Hugh Roberton, conductor.

78rpm:  His Masters Voice E-407 (1920s).

LP:  EMI Starline MRS-5175.

Sweet
baby butterfly.  à        5 Fairy ballads.

Sweet
evenings come and go, love.  à          6 Songs, op. 37.

Symphonic
variations on an African air, op. 63, for orchestra (1906).  London: Novello, 1906.  107p.
Duration: 20:00.  Instrumentation:
3222 (Eh); 4231; timp perc hrp; strings.
Première: 1906/06/14; Queen’s Hall, London; Philharmonic Society.  Based on I’m
troubled in mind.  Library: Fleisher
(1762), Library of Congress (string parts).

Recorded:

Royal
Liverpool Philharmonic Orchestra; Grant Llewellyn, conductor.

CD:  Argo 436401-2.

—- for piano.

Symphony,
op. 8, A minor
(1896).  Première (original version):
1896/03/06; St. James’ Hall, Royal College of Music; (fifth version): 1900/04/30;
Winter Gardens, Bornemouth.  The second
movement (“lament”) is based on a Black melody; five versions were
composed of the fourth movement.
Library: Royal College of Music (manuscript). —– CD: Aarhus Symphony
Orchestra; Douglas Bostock, conductor.
ClassicsO CD 684 (2008).
Duration: 36m44s.  Liner notes:
Lewis Foreman.  1, Allegro appasionato; 2. Lament; Larghetto affetuoso; 3. Schero;
Allegro ma non troppo; 4. Allegro maestoso ed energico.

A
tale of old Japan, op. 76, cantata, for solo soprano, contralto, tenor, bass, SATB &
orchestra (1911).  London: Novello,
1912.  v, 99p.  Text: Alfred Noyes.  Duration: 48:00.  Dedication: Mr. and Mrs. Carl Stoeckel,
“with happiest remembrances of the White House, Norfolk, Conn., U.S.A.,
and the people I met there.”
Première: 1911/12/06; Queen’s Hall; London Choral Society; Arthur Fagge,
conductor.  Library: Library of Congress
(orchestral parts, #13531); Peabody.

—- piano-vocal score.  London: Novello; New York: H. W. Gray,
1911.  vi, 99p. (#13425; Novello’s original octavo edition).  Library: Schomburg.

Te
Deum, F major, for SATB
(1890).  Absorbed in his Morning and evening service.

Te
Deum; a simple setting for parish choirs, with organ.
London: Augener, 1921.  11p.
(#15522).  Library: Library of Congress.

Te
Deum laudamus, op. 18, F major, SATB & organ.  London:
Novello, 1899.  15p. (Novello’s parish choirbook, 416).  Library: Library of Congress.

Tears.  à        Southern
love songs.

Tell
me, o tell me, for high
voice & piano.  London: Augener,
1915.  Text: E. C. Stedman.  Library: Spingarn.

New
York: Arthur P. Schmidt, n.d.  Library:
Spingarn.

—- for medium voice & piano.

Thelma,
op. 72, opera in 3 acts
(1909).  Text: Samuel Coleridge-Taylor
[?].  Complete manuscript not extant.

—
Prelude.  London: Ascherberg-Hawkes; Novello,
1908.  Première: 1910/03; New London
Symphony Orchestra.

Then
he sat down.  à The death of Minnehaha.

Thou
art, for medium voice
& piano.  Philadelphia: Presser.

Three-fours,
op. 71, valse-suite, for
piano (1909).  London: Augener,
1909.  25p. (Augener’s edition, 6073; #13895).
Duration: 18:30.  Dedication:
Myrtle Meggy.  Library: Peabody,
Schomburg, Spingarn.

Contents
(nos. 1 & 6 also published separately):

—-
1. Allegro molto, A minor.

—-
2. Andante, A flat.

—-
for orchestra, arr. by Norman O’Neill.
London: Augener, 1920.
(#15399).  Instrumentation:          2121; 2220; perc; strings.  Library: Library of Congress.

Recorded:

Palm
Court Orchestra; Albert  Sandler,
conductor.

78rpm:  Columbia BD 2212.

—-
3. Allegro moderato, G minor.

—-
4. Vivace, D.

—-
5. Andante molto, E flat.

—-
6. Allegro assai, C minor.

—-
for orchestra, arr. by Norman O’Neill.
London: Augener, 1920.
(#15399).  Instrumentation:          2121; 2220; perc; strings.  Library: Library of Congress.

Recorded:

Palm
Court Orchestra; Albert  Sandler,
conductor.

78rpm:  Columbia BD 2212.

—- for band.

—- for orchestra, arr. by Norman
O’Neill.  London: Augener, 1920.  (#15399).
Instrumentation: 2121;           2220;
perc; strings.  Library: Library of
Congress.

Recorded:

78rpm:  Columbia BD 2212 (Palm Court Orchestra;
Sandler, conductor).

—- for organ, arr. by O. King.  London: Augener, 1926.

—- for piano (4 hands), arr. by Alex
Roloff.   London: Augener, 1909. (#15213;
Album series, 72a-b; 724b).  Library: Library of Congress.

—- for piano trio.

—- for violin & piano.  London: Augener, 1920.  29p. (#15399).  Library: Peabody.

The
three ravens, for medium
voice & piano (1897).  London:
Boosey, 1897.  Text: Wilhelmine
Grotjohann Dohrn (German translation).
Based on 16th-century English melody.

Thy
sapphire eyes, for medium
voice & piano.  New York: Arthur P.
Schmidt, n.d.  Library: Spingarn.

Toujours,
l’amour, for medium voice
& piano.

Toussaint
l’Ouverture, op. 46, for
orchestra (1901).  London: Novello,
1901.  (#11336, string parts)  Duration: 15:00.  Instrumentation: 3222; 4231; timp perc;
strings.  Première: 1901/10/26
(1901/10/21 according to Tortolano and Horne); Queen’s Hall Symphony Concerts;
Henry Wood, conductor.  Library: Library
of Congress (string parts).

Trio,
violin, violoncello, piano, E minor (1893).
Library: Royal College of Music.

Troubled
in mind, for SATB.

Ulysses,
op. 49, incidental music,
for orchestra (1901).  London: Novello,
1902.  Text: Stephen Phillips.  Première: 1902/01; Her Majesty’s Theatre;
Adolf Schmid, conductor.

Contents
include (also overture, interludes, entr’actes, and storm scene):

—-
From the green heart of the waters;
nymph’s song, for SSA & orchestra.
London: Novello, 1902.                      8p.  Library: Library of Congress (51-0345).

—-
for SA & piano, arr. by H. A. Chambers.
London: Novello, 1933.  7p.
(#15868; Novello’s                              octavo edition of
two-part songs for female voices, 279).
Library: Library of Congress.

—-  for SSA & piano.  London: Novello.  (#51-0345-02).

—-
Great is he who fused the might, drinking
song, for tenor & orchestra.
London: Novello, 1902.                            71p.  Library: Library of Congress.

—- Nymph’s
song.

—-
O set the sails, for tenor &
orchestra.  London: Novello, 1902.  3p.  Library:
Library of Congress.

Unmindful
of the roses.  à    6 Sorrow songs.

Until, for medium voice & piano (1908).  Boston: Oliver Ditson, 1908.  5p.
(#5-40-66759)  Text: Frank          Dempster Sherman.  Library: Library of Congress.

London:
Winthrop Rogers, 1921.

Valse, for piano, 4 hands.  London: E. Ashdown, 1928.  15p.
Library: Yale.

Valse-caprice,
op. 23, for violin &
piano (1898).  London: Augener, 1898
(bowing & fingering by William Henley).
13p. (Augener’s edition, 7358;
#11223).  Library: Spingarn.

Variations
on an original theme, violoncello & piano, B minor (1907).
London: Augener, 1918.  26p. &
pt.  (#15159)  Première: 1907/11/30; String Players Concert,
Croydon; C. A. Crabbe, cello.  Library:
Library of Congress.

Variations
on an African air, op. 63,
for piano.  London: Novello, 1906.  26p.
(#12360)  Première: 1906/06/14;
London Philharmonic Society.

A
vengeance, for medium
voice & piano.

Viking
song, for low voice &
piano (1911).  Boston: Oliver Ditson,
1914.  7p.  (#5-146-71907)  Text: David McKee Wright, from The Sydney bulletin.  Duration: 2:30.  Library: Schomburg, Spingarn.

Recorded:

Emilio
de Gorgorza, baritone (by 1923).

78rpm:  His Masters Voice 5-2105.

78rpm:  Victor 64786.

Stuart
Bardner, baritone.

78rpm:  His Masters Voice E-193.

—- for medium voice & piano, arr. by
Percy E. Fletcher.  London: J. Curwen.

—- for SA.  London: J. Curwen, 1911.  4p. (#1307).
Library: Library of Congress.

London[?]:
Allans.  (600).

—- for SATB.  London: J. Curwen.  (#60982).

Recorded:

Choir
of thge Convent of Jesus and Mary.

78rpm:  Decca 9426.

—- for SATB, arr. by Percy E.
Fletcher.  London: J. Curwen.  (#60982).

London[?]:
Allans.  (593).

—- for treble voice(s) & piano, arr.
by Jacobson.  London: J. Curwen.  (#72564).

—- for TTBB & piano, arr. by Percy E.
Fletcher.  London: J. Curwen.  Library: Luck’s (3044).

London[?]:
Allans (714).

Recorded:

Associated
Glee Clubs of America [2,500 male voices & piano, recorded at the
auditorium of the                            Sesquicentennial,
Philadelphia, 1926]).

.     78rpm:
Victor 20494A.

78rpm:  Zonophone GO 76.

The
violet bank, for high
voice & piano (1905).  New York:
William Maxwell, 1905.  7p. (#788).  Text: Darling.  Library: Library of Congress; Spingarn.

Violin
album, 6 Easy pieces, for
violin & piano, arr. by B. C. Hull.
London: Augener, 1920.  Library:
British Library.

A
vision, for medium voice
& piano (1905).  New York: William
Maxwell; Philadelphia: Theodore Presser, 1905.
6p.  Text: Louise Alston Burleigh.  Library: Library of Congress; Schomburg.

—- for low voice & piano.  Library: Library of Congress.

Waiting.  è   2
Songs, op. 81.

We
strew these opiate flowers.  à     Part-songs, op. 21.

We
watched her breathing through the night, for medium voice & piano.  Text: Thomas Wood.

—- for SSA & piano.  London: Augener.  (Augener’s
edition, 4247).

What
can lambkins do?, for
SSA.  London: Novello, 1908.  7p. (Novello’s
octavo edition of part song for female voices)  Text: Christina Rossetti.  Library: Library of Congress.

—- for SA & piano, arr. by H. A.
Chambers.  London: Novello, 1933.  6p. (#15865; Novello’s octavo edition of two-part songs for female voices,
276).  Library: Library of Congress.

What
thou hast given me, Lord,
for SATB (1901).  London: Weekes; New
York: William Maxwell, 1905.

—- for contralto & SAB.  Library: Library of Congress.

When
I am dead my dearest.  à        6 Sorrow songs.

Whispers
of summer, for SATB
(1910).  London: Novello, 1910 (Musical times, n51, p810).  Text: Kathleen Easmon.

Who
calls?.  à           Endymion’s dream.

Why
does the azure deck the skies?, for medium voice & piano.

The
willow song.  à   Othello.

You
shall hear how Pau-Puk-Keewis.  à      Hiawatha’s wedding feast.

You’ll
love me yet.  à 6 Songs, op. 37.

The
young Indian maid.  à    3 Song-poems.

Zara’s
ear-rings, op. 7, for
soprano & orchestra (1985).  Text: J.
G. Lockhart.  Première: 1895/02/07;
Imperial Institute, London; Clementine M. Pierpoint.  Library: Royal College of Music.

Zuleika.  à